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Catalogue raisonné WCC.352. Lithograph and zincograph. Cocktail party by Antonio Saura is a 1982 lithograph and zincograph that transforms the idea of a social gathering into a vibrant and chaotic visual field. The composition is densely packed with distorted faces and figures outlined in energetic black lines and filled with vivid layers of red, yellow, blue, and green. Each fragmented form appears animated, with exaggerated eyes and angular features that overlap and intertwine across the surface. Rather than depicting identifiable individuals, Saura presents a collective crowd in constant movement, suggesting the intensity and complexity of human interaction. The playful title contrasts with the underlying tension and expressive distortion typical of Saura’s work. Measuring 59.5 × 88 cm, this print was produced in an edition of 125 and is listed in the catalogue raisonné under reference WCC.352.
Cocktail party, 1982
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59.5 x 88 cm
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Details
Artist
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Catalogue raisonné WCC.352. Lithograph and zincograph. Cocktail party by Antonio Saura is a 1982 lithograph and zincograph that transforms the idea of a social gathering into a vibrant and chaotic visual field. The composition is densely packed with distorted faces and figures outlined in energetic black lines and filled with vivid layers of red, yellow, blue, and green. Each fragmented form appears animated, with exaggerated eyes and angular features that overlap and intertwine across the surface. Rather than depicting identifiable individuals, Saura presents a collective crowd in constant movement, suggesting the intensity and complexity of human interaction. The playful title contrasts with the underlying tension and expressive distortion typical of Saura’s work. Measuring 59.5 × 88 cm, this print was produced in an edition of 125 and is listed in the catalogue raisonné under reference WCC.352.
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What is Gestural?
Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.
