Antonio Asis's ST 2, a lithograph from 2013, exemplifies the artist's fascination with optical art and kinetic patterns. The composition is dominated by concentric circles in vibrant blue and white, overlapping and interacting to create an illusion of movement and depth. These repeated circular forms seem to vibrate across the surface, inviting the viewer’s eye to shift and dance around the piece. Asis skillfully manipulates shape and color to engage viewers in a dynamic visual experience, reminiscent of optical art from the 1960s. This work captures Asis’s exploration of perception and the rhythmic possibilities within geometric abstraction.
Antonio Asis (Argentina, 1932–2019) was a prominent figure in Op Art and Kinetic Art, known for his vibrant geometric compositions that explore perception and movement. Using optical illusions and rhythmic patterns, his works engage the viewer in dynamic visual experiences. Asis’s innovative art earned him international recognition, influencing generations of abstract and kinetic artists.
LithographLithography is a printing method based on the principle that water and oil do not mix. It can be used to print artwork or text onto paper or other suitable materials. Traditionally, an image was drawn with wax, fat, or oil onto a lithographic limestone surface or plate. Today, metal plates and other surfaces are also used in lithographic printing.
Size
Inches
Centimeters
50 X 49.4 cm
Edition
Edition of 40 + 5 HC
Price
USD
EUR
GBP
CHF
1,800EUR
?
+ VAT/import Duties (if applicable)
Authenticity Guaranteed
Insured Shipping
Online Since 2005
Share
●Inventory 17542
●Signed
●Comes with gallery invoice and certificate
●Any questions?
Antonio Asis's ST 2, a lithograph from 2013, exemplifies the artist's fascination with optical art and kinetic patterns. The composition is dominated by concentric circles in vibrant blue and white, overlapping and interacting to create an illusion of movement and depth. These repeated circular forms seem to vibrate across the surface, inviting the viewer’s eye to shift and dance around the piece. Asis skillfully manipulates shape and color to engage viewers in a dynamic visual experience, reminiscent of optical art from the 1960s. This work captures Asis’s exploration of perception and the rhythmic possibilities within geometric abstraction.
Antonio Asis (Argentina, 1932–2019) was a prominent figure in Op Art and Kinetic Art, known for his vibrant geometric compositions that explore perception and movement. Using optical illusions and rhythmic patterns, his works engage the viewer in dynamic visual experiences. Asis’s innovative art earned him international recognition, influencing generations of abstract and kinetic artists.
Argentine abstractkinetic artist Antonio Asis lives and works in Paris. In 1950 he obtained his doctorate degree from the National School of Fine Arts in Buenos, where he had been studying art since the age of 14. In 1944 Antonio Asis became involved with the publication of an Argentine arts magazine, Arturo, and he was one of the founder members of an art association in Buenos Aires, which after 1945 was an important city for artists who were involved in the development abstract art. Antonio Asis moved to Paris in 1956, where he first became interested in kinetic artand where be worked alongside other international artists, including Victor Vasarely, Yaacov Agam and Jesus Rafael Soto. Antonio Asis started exploring the vibrations between colors and their harmonies and he also made use of monochrome in some of his work. Much of his art focused on the use of spiral, spheres and other geometric shapes as abstract forms. In 1971 Antonio Asis was co-founder of the Position group of ex-pat Argentine artists with an interest in the vibrations and movement of light, who were also working in Paris at that time.
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.