
Details
Artist
Styles
wood and serigraph // Interferences Cercles Noir et Blanc by Antonio Asis is a striking example of Op Art in which he explores visual perception through a complex interplay of black and white concentric circles. The piece, created in 2010 as a limited-edition serigraph on wood, draws the viewer’s eye into an illusion of depth and movement. The overlapping circular patterns create a dynamic rhythm, leading to a hypnotic effect that challenges the viewer’s sense of stability. The deliberate precision in the arrangement of these forms emphasizes Asis's mastery of optical illusions, where the static artwork seems to pulse and shift. This limited edition piece, one of only 15, exemplifies Asis's fascination with kinetic effects and the play of light and shadow.
interferences cercles noir et blanc, 2010
form
Medium
Size
55 x 52 X 3 cm
- Inches
- Centimeters
Edition
Price
- USD
- EUR
- GBP
Details
Artist
Styles
wood and serigraph // Interferences Cercles Noir et Blanc by Antonio Asis is a striking example of Op Art in which he explores visual perception through a complex interplay of black and white concentric circles. The piece, created in 2010 as a limited-edition serigraph on wood, draws the viewer’s eye into an illusion of depth and movement. The overlapping circular patterns create a dynamic rhythm, leading to a hypnotic effect that challenges the viewer’s sense of stability. The deliberate precision in the arrangement of these forms emphasizes Asis's mastery of optical illusions, where the static artwork seems to pulse and shift. This limited edition piece, one of only 15, exemplifies Asis's fascination with kinetic effects and the play of light and shadow.
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Antonio Asis
Vibration Bandes Noir, Bleu Et Turquoise, 2010
Sculpture / Object
Mixed Media
EUR 3,000
What is Hard Edge Art?
Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.