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Styles
Antonio Asis’ ST5 (2013) is a lithograph that exemplifies the artist’s longstanding engagement with geometric abstraction and optical perception. The composition is constructed from overlapping fields of concentric circles rendered in stark black and white, creating a rhythmic pattern that appears to pulse across the surface. Through the precise repetition of simple forms, Asis generates visual movement and spatial ambiguity, encouraging the viewer’s eye to shift continuously between foreground and background. Associated with the development of kinetic and optical art in Latin America, Asis explored how structured geometry could produce dynamic sensory experiences. In ST5, the balance between mathematical order and visual instability transforms a static image into an active perceptual event.
ST5, 2013
form
Medium
Size
50 x 49 cm
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Details
Artist
Styles
Antonio Asis’ ST5 (2013) is a lithograph that exemplifies the artist’s longstanding engagement with geometric abstraction and optical perception. The composition is constructed from overlapping fields of concentric circles rendered in stark black and white, creating a rhythmic pattern that appears to pulse across the surface. Through the precise repetition of simple forms, Asis generates visual movement and spatial ambiguity, encouraging the viewer’s eye to shift continuously between foreground and background. Associated with the development of kinetic and optical art in Latin America, Asis explored how structured geometry could produce dynamic sensory experiences. In ST5, the balance between mathematical order and visual instability transforms a static image into an active perceptual event.
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Limited Edition Print
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Antonio Asis
Interferences Cercles De Couleurs Gris Bleu, 2010
Limited Edition Print
Mixed Media
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Antonio Asis
Interferences Cercles De Couleurs Gris Rouge Arc En Ciel, 2010
Limited Edition Print
Mixed Media
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Antonio Asis
Vibration Cercles Mauve, Rouge Et Turquoise, 2010
Sculpture / Object
Mixed Media
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What is kinetic art?
Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.
