Wood, steel and serigraph.
Signed in pencil at the back.
3 ovals noir et blanc by Antonio Asis, created in 2012, is a sculptural work composed of wood, steel, and serigraph, measuring 66 x 33 x 14 cm. This limited edition of 15 exemplifies Asis’s optical and kinetic art explorations. The piece features three black ovals visible through a perforated steel grid, playing with depth, contrast, and perception. Asis’s interest in movement and visual vibration is evident as the viewer's position affects the optical reading of the work. Signed in pencil on the back, it reflects Asis’s lifelong engagement with geometric abstraction and perceptual illusion.
Antonio Asis (Argentina, 1932–2019) was a prominent figure in Op Art and Kinetic Art, known for his vibrant geometric compositions that explore perception and movement. Using optical illusions and rhythmic patterns, his works engage the viewer in dynamic visual experiences. Asis’s innovative art earned him international recognition, influencing generations of abstract and kinetic artists.
Mixed MediaMixed media refers to artwork that incorporates more than one medium within a single piece. Unlike multimedia art, which combines distinct forms of visual art and often includes elements like sound, video, or digital media, mixed media focuses on combining traditional art materials, such as paint, ink, and collage. Mixed media art allows artists to achieve a wide range of effects and textures by layering and blending different materials.
Size
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33 X 66 X 14 cm
Edition
Edition of 15
Price
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3,000EUR
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Wood, steel and serigraph.
Signed in pencil at the back.
3 ovals noir et blanc by Antonio Asis, created in 2012, is a sculptural work composed of wood, steel, and serigraph, measuring 66 x 33 x 14 cm. This limited edition of 15 exemplifies Asis’s optical and kinetic art explorations. The piece features three black ovals visible through a perforated steel grid, playing with depth, contrast, and perception. Asis’s interest in movement and visual vibration is evident as the viewer's position affects the optical reading of the work. Signed in pencil on the back, it reflects Asis’s lifelong engagement with geometric abstraction and perceptual illusion.
Antonio Asis (Argentina, 1932–2019) was a prominent figure in Op Art and Kinetic Art, known for his vibrant geometric compositions that explore perception and movement. Using optical illusions and rhythmic patterns, his works engage the viewer in dynamic visual experiences. Asis’s innovative art earned him international recognition, influencing generations of abstract and kinetic artists.
Argentine abstractkinetic artist Antonio Asis lives and works in Paris. In 1950 he obtained his doctorate degree from the National School of Fine Arts in Buenos, where he had been studying art since the age of 14. In 1944 Antonio Asis became involved with the publication of an Argentine arts magazine, Arturo, and he was one of the founder members of an art association in Buenos Aires, which after 1945 was an important city for artists who were involved in the development abstract art. Antonio Asis moved to Paris in 1956, where he first became interested in kinetic artand where be worked alongside other international artists, including Victor Vasarely, Yaacov Agam and Jesus Rafael Soto. Antonio Asis started exploring the vibrations between colors and their harmonies and he also made use of monochrome in some of his work. Much of his art focused on the use of spiral, spheres and other geometric shapes as abstract forms. In 1971 Antonio Asis was co-founder of the Position group of ex-pat Argentine artists with an interest in the vibrations and movement of light, who were also working in Paris at that time.
Latin American Art is a style which takes inspiration from its culture, society, politics, native traditions, religions and landscape. Op-Art and Kinetic Art figure prominently in Latin artworks. Colors in Latin American compositions are often bold. Latin American artists work in all media and movements.