Yayoi Kusama – Summer Flowers, 1990 – Screen-print
Signed, numbered, dated and titled on the front
Yayoi Kusama’s Summer Flowers (1990) is a vibrant screenprint that exemplifies her signature psychedelic patterns and organic motifs. The composition features bold, undulating flowers in shades of red, orange, and yellow, set against a deep blue background filled with a web-like mosaic pattern. The twisting green stems and dotted textures give the work a sense of rhythmic movement, characteristic of Kusama’s fascination with repetition and nature’s infinite forms. This piece, created in a limited edition of 100, highlights Kusama’s unique fusion of surrealism, pop art, and abstraction, transforming a simple floral subject into a mesmerizing visual experience.
Artwork Copyright © Yayoi Kusama

Yayoi Kusama (Japan, 1929–2026) was a pioneering artist known for her avant-garde vision, using polka dots, mirrors, and immersive installations to explore themes of infinity and self-obliteration. Her Infinity Rooms and bold, colourful works became landmarks of contemporary art, while her practice intersected with and influenced developments in Pop Art and Minimalism. Kusama’s art combined obsession, repetition, beauty, and transcendence, making her one of the most internationally celebrated artists of her generation.

Artwork Copyright © Yayoi Kusama

Summer Flowers, 1990

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Signed, numbered, dated and titled on the front
Yayoi Kusama’s Summer Flowers (1990) is a vibrant screenprint that exemplifies her signature psychedelic patterns and organic motifs. The composition features bold, undulating flowers in shades of red, orange, and yellow, set against a deep blue background filled with a web-like mosaic pattern. The twisting green stems and dotted textures give the work a sense of rhythmic movement, characteristic of Kusama’s fascination with repetition and nature’s infinite forms. This piece, created in a limited edition of 100, highlights Kusama’s unique fusion of surrealism, pop art, and abstraction, transforming a simple floral subject into a mesmerizing visual experience.
Artwork Copyright © Yayoi Kusama

Yayoi Kusama (Japan, 1929–2026) was a pioneering artist known for her avant-garde vision, using polka dots, mirrors, and immersive installations to explore themes of infinity and self-obliteration. Her Infinity Rooms and bold, colourful works became landmarks of contemporary art, while her practice intersected with and influenced developments in Pop Art and Minimalism. Kusama’s art combined obsession, repetition, beauty, and transcendence, making her one of the most internationally celebrated artists of her generation.

Artwork Copyright © Yayoi Kusama
Yayoi Kusama – A Pumpkin YB-A (Kusama 325), 2004 – Screen-print

Yayoi Kusama

A Pumpkin YB-A (Kusama 325), 2004

Limited Edition Print

Screen-print

GBP 43,000 – 55,000

Yayoi Kusama – Dancing Pumpkin (YBL) (Kusama 320), 2004 – Screen-print

Yayoi Kusama

Dancing Pumpkin (YBL) (Kusama 320), 2004

Limited Edition Print

Screen-print

GBP 56,000 – 70,000

Yayoi Kusama – Flower, 1982 – Collage

Yayoi Kusama

Flower, 1982

Limited Edition Print

Collage

USD 20,000 – 25,000

Yayoi Kusama – Grapes In The City, 1989 – Screen-print

Yayoi Kusama

Grapes In The City, 1989

Limited Edition Print

Screen-print

USD 34,500 – 43,500

Yayoi Kusama – Pumpkin (S), 1992 – Screen-print

Yayoi Kusama

Pumpkin (S), 1992

Limited Edition Print

Screen-print

GBP 37,500

Yayoi Kusama – Pumpkin (G), 1992 – Screen-print

Yayoi Kusama

Pumpkin (G), 1992

Limited Edition Print

Screen-print

USD 45,750

Yayoi Kusama – Pumpkin Army, 1994 – Etching

Yayoi Kusama

Pumpkin Army, 1994

Limited Edition Print

Etching

GBP 45,000 – 50,000

Yayoi Kusama – Shangai Expo Silk Scarf Yellow, 2010 – Mixed Media

Yayoi Kusama

Shangai Expo Silk Scarf Yellow, 2010

Tapestry

Mixed Media

EUR 7,000 – 9,000

Yayoi Kusama – Red and Yellow Pumpkins, 2015 – Mixed Media

Yayoi Kusama

Red and Yellow Pumpkins, 2015

Sculpture / Object

Mixed Media

EUR 1,850

Yayoi Kusama – Grapes (Kusama 29), 1983 – Screen-print

Yayoi Kusama

Grapes (Kusama 29), 1983

Limited Edition Print

Screen-print

GBP 30,000 – 40,000

Yayoi Kusama – Vase (2) (Kusama 167), 1992 – Lithograph

Yayoi Kusama

Vase (2) (Kusama 167), 1992

Limited Edition Print

Lithograph

GBP 17,000 – 21,000

Yayoi Kusama – Shoes (Kusama 30), 1984 – Screen-print

Yayoi Kusama

Shoes (Kusama 30), 1984

Limited Edition Print

Screen-print

GBP 28,000 – 35,000

Yayoi Kusama – Pumpkin ST (Kusama 301), 2001 – Screen-print

Yayoi Kusama

Pumpkin ST (Kusama 301), 2001

Limited Edition Print

Screen-print

GBP 46,000 – 57,000

Yayoi Kusama – Yellow Pumpkin, 1998 – Resin

Yayoi Kusama

Yellow Pumpkin, 1998

Sculpture / Object

Resin

GBP 25,000 – 30,000

Yayoi Kusama – Pumpkin (NGV), 2025 – Mixed Media

Yayoi Kusama

Pumpkin (NGV), 2025

Sculpture / Object

Mixed Media

GBP 12,000 – 15,000

Yayoi Kusama – Pumpkin 2000 (Green), 2000 – Screen-print

Yayoi Kusama

Pumpkin 2000 (Green), 2000

Limited Edition Print

Screen-print

GBP 40,000 – 60,000

Yayoi Kusama – Chapeau (II), 2000 – Screen-print

Yayoi Kusama

Chapeau (II), 2000

Limited Edition Print

Screen-print

GBP 28,000 – 40,000

Yayoi Kusama – Pumpkin 2000 (Yellow), 2000 – Screen-print

Yayoi Kusama

Pumpkin 2000 (Yellow), 2000

Limited Edition Print

Screen-print

Currently Not Available

Yayoi Kusama – Pumpkin 2000 (Red), 2000 – Screen-print

Yayoi Kusama

Pumpkin 2000 (Red), 2000

Limited Edition Print

Screen-print

Currently Not Available

Yayoi Kusama – Pumpkin, 1993 – Screen-print

Yayoi Kusama

Pumpkin, 1993

Limited Edition Print

Screen-print

Currently Not Available

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What is Art Brut?

Art Brut, a French term meaning Raw Art, was coined by Jean Dubuffet to describe art created outside the conventional fine arts tradition. Dubuffet used the term to refer to works made by self-taught artists, including the mentally ill, prisoners, and others on the margins of society. He also called it Outsider Art. This art is characterized by its raw, unrefined nature, often created without concern for traditional presentation or imitation.

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