Details
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Signed, titled, dated and numbered in pencil Grapes (Kusama 29) by Yayoi Kusama is a 1983 screenprint that demonstrates the artist’s signature use of repetitive patterns and organic forms. The composition presents a stylized cluster of grapes suspended beneath large vine leaves. Each grape is rendered with dense circular dot patterns that radiate outward, creating a hypnotic optical effect. The leaves and background are filled with intricate mosaic-like networks of lines, transforming the natural subject into a highly structured decorative surface. Executed in a striking palette of turquoise against black, the work emphasizes contrast and rhythm while evoking Kusama’s broader themes of infinity and obsessive repetition. The screenprint measures approximately 64.3 × 55.5 cm (25.3 × 21.9 inches) and was produced in a limited edition of 100. The work is numbered, signed, titled, and dated in pencil.
Grapes (Kusama 29), 1983
form
Medium
Size
64.3 x 55.5 cm
- Inches
- Centimeters
Edition
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Details
Artist
Styles
Signed, titled, dated and numbered in pencil Grapes (Kusama 29) by Yayoi Kusama is a 1983 screenprint that demonstrates the artist’s signature use of repetitive patterns and organic forms. The composition presents a stylized cluster of grapes suspended beneath large vine leaves. Each grape is rendered with dense circular dot patterns that radiate outward, creating a hypnotic optical effect. The leaves and background are filled with intricate mosaic-like networks of lines, transforming the natural subject into a highly structured decorative surface. Executed in a striking palette of turquoise against black, the work emphasizes contrast and rhythm while evoking Kusama’s broader themes of infinity and obsessive repetition. The screenprint measures approximately 64.3 × 55.5 cm (25.3 × 21.9 inches) and was produced in a limited edition of 100. The work is numbered, signed, titled, and dated in pencil.
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Sculpture / Object
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Inquire For Price
Yayoi Kusama
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Limited Edition Print
Screen-print
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What is Art Brut?
Art Brut, a French term meaning Raw Art, was coined by Jean Dubuffet to describe art created outside the conventional fine arts tradition. Dubuffet used the term to refer to works made by self-taught artists, including the mentally ill, prisoners, and others on the margins of society. He also called it Outsider Art. This art is characterized by its raw, unrefined nature, often created without concern for traditional presentation or imitation.
