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Screenprint in colours with lamé on BFK Rives paper - Signed, titled, dated and numbered in pencil. Authenticated by the Kusama Studio // Yayoi Kusama's Chapeau (II) (2000) is a limited edition screen print on BFK Rives paper, measuring 50 x 65 cm. The artwork features a vibrant, stylized hat depicted in Kusama’s signature style, incorporating repetitive patterns and bold colors. The central form, resembling a hat, is composed of alternating bands of red and yellow dotted patterns, highlighted with blue accents, all set against a densely patterned green background bordered with a pink and red motif. Kusama’s use of repetitive dots and intricate patterns draws the viewer into a mesmerizing visual experience, echoing her fascination with infinity and immersive detail. This playful yet intricate composition showcases her ability to transform a simple object into a captivating, psychedelic display.
Chapeau (II), 2000
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Medium
Size
50 x 65 cm
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Details
Artists
Styles
Screenprint in colours with lamé on BFK Rives paper - Signed, titled, dated and numbered in pencil. Authenticated by the Kusama Studio // Yayoi Kusama's Chapeau (II) (2000) is a limited edition screen print on BFK Rives paper, measuring 50 x 65 cm. The artwork features a vibrant, stylized hat depicted in Kusama’s signature style, incorporating repetitive patterns and bold colors. The central form, resembling a hat, is composed of alternating bands of red and yellow dotted patterns, highlighted with blue accents, all set against a densely patterned green background bordered with a pink and red motif. Kusama’s use of repetitive dots and intricate patterns draws the viewer into a mesmerizing visual experience, echoing her fascination with infinity and immersive detail. This playful yet intricate composition showcases her ability to transform a simple object into a captivating, psychedelic display.
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Yayoi Kusama
My Heart That Blooms In The Darkness Of Night, 2020
Sculpture / Object
Mixed Media
GBP 140,000 - 170,000
What is Art Brut?
Art Brut, a French term meaning Raw Art, was coined by Jean Dubuffet to describe art created outside the conventional fine arts tradition. Dubuffet used the term to refer to works made by self-taught artists, including the mentally ill, prisoners, and others on the margins of society. He also called it Outsider Art. This art is characterized by its raw, unrefined nature, often created without concern for traditional presentation or imitation.