
Hand signed in English, titled in Kanji, dated 1989 lower right.
Sheet: 53.5 by 61 cm.
Image: 45.5 by 53 cm.
Reference: Yayoi Kusama Prints 1979-2017, Tokyo 2017, p. 82,
'Grapes In The City' by Yayoi Kusama is a screen-print from 1989, measuring 53.5 × 61 cm and from a hand-numbered edition. Against a flat crimson ground, an oversized bunch of grapes fills the upper two-thirds of the composition, each berry rendered with Kusama's signature concentric dot patterning in purples, pinks, reds and whites. Broad, veined leaves in dark green frame the cluster above. Below, a white silhouette skyline — church steeple, clock tower, low-rise blocks — runs the full width of the sheet, a lone pedestrian figure visible at street level. The scale inversion, a monumental fruit looming over a miniature city, is characteristic of Kusama's recurring use of organic forms to overwhelm architectural and social order, consistent with her stated ambition to reshape society through art. The work sits within her printmaking output of the late 1980s, when she was re-establishing her international profile after years based in Tokyo.
Grapes In The City, 1989
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Hand signed in English, titled in Kanji, dated 1989 lower right.
Sheet: 53.5 by 61 cm.
Image: 45.5 by 53 cm.
Reference: Yayoi Kusama Prints 1979-2017, Tokyo 2017, p. 82,
'Grapes In The City' by Yayoi Kusama is a screen-print from 1989, measuring 53.5 × 61 cm and from a hand-numbered edition. Against a flat crimson ground, an oversized bunch of grapes fills the upper two-thirds of the composition, each berry rendered with Kusama's signature concentric dot patterning in purples, pinks, reds and whites. Broad, veined leaves in dark green frame the cluster above. Below, a white silhouette skyline — church steeple, clock tower, low-rise blocks — runs the full width of the sheet, a lone pedestrian figure visible at street level. The scale inversion, a monumental fruit looming over a miniature city, is characteristic of Kusama's recurring use of organic forms to overwhelm architectural and social order, consistent with her stated ambition to reshape society through art. The work sits within her printmaking output of the late 1980s, when she was re-establishing her international profile after years based in Tokyo.
What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.

Yayoi Kusama
Grapes In The City, 1989
53.5 x 61 cm
























