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Screenprint in colours, on Arches paper. Signed, numbered, dated and titled on the front. Pumpkin ST (Kusama 301) by Yayoi Kusama is a 2001 screenprint in colors on Arches paper that centers on one of the artist’s most enduring motifs. The pumpkin is rendered in glowing yellow and gold tones, its segmented form built from dense fields of black dots that vary in scale and rhythm. Set against a black background filled with an intricate web-like pattern, the image oscillates between organic warmth and optical intensity. The pumpkin functions as both a personal symbol and a vehicle for Kusama’s exploration of repetition, infinity, and self-obliteration, themes that recur throughout her practice. Measuring 38 × 32.5 cm, the work was produced in an edition of 120 and is signed, numbered, dated, and titled on the front, exemplifying her refined approach to graphic printmaking.
Pumpkin ST (Kusama 301), 2001
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38 x 32.5 cm
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Details
Artist
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Screenprint in colours, on Arches paper. Signed, numbered, dated and titled on the front. Pumpkin ST (Kusama 301) by Yayoi Kusama is a 2001 screenprint in colors on Arches paper that centers on one of the artist’s most enduring motifs. The pumpkin is rendered in glowing yellow and gold tones, its segmented form built from dense fields of black dots that vary in scale and rhythm. Set against a black background filled with an intricate web-like pattern, the image oscillates between organic warmth and optical intensity. The pumpkin functions as both a personal symbol and a vehicle for Kusama’s exploration of repetition, infinity, and self-obliteration, themes that recur throughout her practice. Measuring 38 × 32.5 cm, the work was produced in an edition of 120 and is signed, numbered, dated, and titled on the front, exemplifying her refined approach to graphic printmaking.
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What is minimalism?
Minimalism is a style in music and visual arts characterized by pared-down designs and simplicity. It began in Western art after World War II, gaining prominence particularly in American visual arts. Minimalism draws heavily on aspects of modernism and is often viewed as a reaction against Abstract Expressionism, as well as a precursor to post-minimal art practices. Prominent minimalist artists include Agnes Martin, Donald Judd, Robert Morris, Frank Stella, and Dan Flavin.
