
Screenprint in colours, on Arches paper. Signed, numbered, dated and titled on the front.
Pumpkin ST (Kusama 301) by Yayoi Kusama is a 2001 screenprint in colors on Arches paper that centers on one of the artist’s most enduring motifs. The pumpkin is rendered in glowing yellow and gold tones, its segmented form built from dense fields of black dots that vary in scale and rhythm. Set against a black background filled with an intricate web-like pattern, the image oscillates between organic warmth and optical intensity. The pumpkin functions as both a personal symbol and a vehicle for Kusama’s exploration of repetition, infinity, and self-obliteration, themes that recur throughout her practice. Measuring 38 × 32.5 cm, the work was produced in an edition of 120 and is signed, numbered, dated, and titled on the front, exemplifying her refined approach to graphic printmaking.
Yayoi Kusama (Japan, 1929–2026) was a pioneering artist known for her avant-garde vision, using polka dots, mirrors, and immersive installations to explore themes of infinity and self-obliteration. Her Infinity Rooms and bold, colourful works became landmarks of contemporary art, while her practice intersected with and influenced developments in Pop Art and Minimalism. Kusama’s art combined obsession, repetition, beauty, and transcendence, making her one of the most internationally celebrated artists of her generation.
Pumpkin ST (Kusama 301), 2001
Form
Medium
Size
- Inches
- Centimeters
Edition
Price
- Authenticity Guaranteed
- Insured Shipping
- Online Since 2005
Screenprint in colours, on Arches paper. Signed, numbered, dated and titled on the front.
Pumpkin ST (Kusama 301) by Yayoi Kusama is a 2001 screenprint in colors on Arches paper that centers on one of the artist’s most enduring motifs. The pumpkin is rendered in glowing yellow and gold tones, its segmented form built from dense fields of black dots that vary in scale and rhythm. Set against a black background filled with an intricate web-like pattern, the image oscillates between organic warmth and optical intensity. The pumpkin functions as both a personal symbol and a vehicle for Kusama’s exploration of repetition, infinity, and self-obliteration, themes that recur throughout her practice. Measuring 38 × 32.5 cm, the work was produced in an edition of 120 and is signed, numbered, dated, and titled on the front, exemplifying her refined approach to graphic printmaking.
Yayoi Kusama (Japan, 1929–2026) was a pioneering artist known for her avant-garde vision, using polka dots, mirrors, and immersive installations to explore themes of infinity and self-obliteration. Her Infinity Rooms and bold, colourful works became landmarks of contemporary art, while her practice intersected with and influenced developments in Pop Art and Minimalism. Kusama’s art combined obsession, repetition, beauty, and transcendence, making her one of the most internationally celebrated artists of her generation.
Yayoi Kusama
Dancing Pumpkin (YBL) (Kusama 320), 2004
Limited Edition Print
Screen-print
GBP 56,000 – 70,000
What is pop-art?
Pop Art is an art movement that began in Britain in 1955 and in the late 1950s in the U.S. It challenged traditional fine arts by incorporating imagery from popular culture, such as news, advertising, and comic books. Pop Art often isolates and recontextualizes materials, combining them with unrelated elements. The movement is more about the attitudes and ideas that inspired it than the specific art itself. Pop Art is seen as a reaction against the dominant ideas of Abstract Expressionism, bringing everyday consumer culture into the realm of fine art.

Yayoi Kusama
Pumpkin ST (Kusama 301), 2001
38 x 32.5 cm




























