Sam Francis

Untitled, 1984

106.7 X 73 inch

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Embarkation

William KENTRIDGE | Untitled, from Domestic Scenes | Etching and Aquatint, 1980 — available on Composition Gallery

Signed by the artist. In 1980, William Kentridge produced Domestic Scenes, a series of 50 small untitled etchings, alongside the Pit monotypes—marking the earliest development of his artistic practice. The initial edition was printed by the artist on soft cream wove paper. Subsequent impressions (10–20 per plate, depending on demand) were printed on stiffer Arches buff wove paper. This impression, printed on soft cream wove paper and numbered 1/30, originates from that initial set. // A solitary figure leans over a bathroom sink in this quietly devastating etching and aquatint from William Kentridge's seminal Domestic Scenes series — the fifty small etchings of 1980 that mark the very beginning of the artist's printmaking career. The intimacy of the domestic setting belies the political charge that permeates every scene in the series, where private life under apartheid becomes a theatre of quiet tension. Kentridge's soft tonal modelling, achieved through delicate aquatint, gives the composition a warmth and tactile presence that reproductions cannot convey. Numbered 1/30 and printed on the original soft cream wove paper of the first edition, this impression is among the earliest and most desirable from the series.

Artwork Copyright © William Kentridge

Untitled, from Domestic Scenes, 1980

form

Medium

Edition

Signed by the artist. In 1980, William Kentridge produced Domestic Scenes, a series of 50 small untitled etchings, alongside the Pit monotypes—marking the earliest development of his artistic practice. The initial edition was printed by the artist on soft cream wove paper. Subsequent impressions (10–20 per plate, depending on demand) were printed on stiffer Arches buff wove paper. This impression, printed on soft cream wove paper and numbered 1/30, originates from that initial set. // A solitary figure leans over a bathroom sink in this quietly devastating etching and aquatint from William Kentridge's seminal Domestic Scenes series — the fifty small etchings of 1980 that mark the very beginning of the artist's printmaking career. The intimacy of the domestic setting belies the political charge that permeates every scene in the series, where private life under apartheid becomes a theatre of quiet tension. Kentridge's soft tonal modelling, achieved through delicate aquatint, gives the composition a warmth and tactile presence that reproductions cannot convey. Numbered 1/30 and printed on the original soft cream wove paper of the first edition, this impression is among the earliest and most desirable from the series.

Artwork Copyright © William Kentridge

William Kentridge

The Bacchae, 1983

Limited Edition Print

Silkscreen

EUR 9,500

William Kentridge

Film At The Market, 1986

Limited Edition Print

Silkscreen

EUR 9,500

William Kentridge

Woozebear And The Zoo-Bears, 1981

Limited Edition Print

Offset Print

EUR 9,500

William Kentridge

Exhibition William Kentridge (Pit Monotypes), 1979

Limited Edition Print

Silkscreen

EUR 15,000

William Kentridge

Dikhitsheneng (The Kitchens), 1980

Limited Edition Print

Silkscreen

EUR 9,500

William Kentridge

Security, 1979

Limited Edition Print

Silkscreen

EUR 9,500

William Kentridge

Untitled, From Domestic Scenes, 1980

Limited Edition Print

Etching And Aquatint

EUR 15,000

William Kentridge

Embarkation, 1986

Drawing / Watercolor

Mixed Media

Inquire For Price

William Kentridge

A Wildlife Catalogue II, 1980

Limited Edition Print

Etching

EUR 25,000

William Kentridge

The Passion Of Mrs Eckstein, 1991

Drawing / Watercolor

Mixed Media

Inquire For Price

William Kentridge

Domestic Scenes, 1980

Limited Edition Print

Mixed Media

EUR 15,000

William Kentridge

No Idea Thought Image, 2016

Limited Edition Print

Screen-print

Currently Not Available

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What is Surrealism?

Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.

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