Details
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Signed by the artist. In 1980, William Kentridge produced Domestic Scenes, a series of 50 small untitled etchings, alongside the Pit monotypes—marking the earliest development of his artistic practice. The initial edition was printed by the artist on soft cream wove paper. Subsequent impressions (10–20 per plate, depending on demand) were printed on stiffer Arches buff wove paper. This impression, printed on soft cream wove paper and numbered 1/30, originates from that initial set. // A solitary figure leans over a bathroom sink in this quietly devastating etching and aquatint from William Kentridge's seminal Domestic Scenes series — the fifty small etchings of 1980 that mark the very beginning of the artist's printmaking career. The intimacy of the domestic setting belies the political charge that permeates every scene in the series, where private life under apartheid becomes a theatre of quiet tension. Kentridge's soft tonal modelling, achieved through delicate aquatint, gives the composition a warmth and tactile presence that reproductions cannot convey. Numbered 1/30 and printed on the original soft cream wove paper of the first edition, this impression is among the earliest and most desirable from the series.
Untitled, from Domestic Scenes, 1980
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17.5 x 25 cm
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Details
Artist
Styles
Signed by the artist. In 1980, William Kentridge produced Domestic Scenes, a series of 50 small untitled etchings, alongside the Pit monotypes—marking the earliest development of his artistic practice. The initial edition was printed by the artist on soft cream wove paper. Subsequent impressions (10–20 per plate, depending on demand) were printed on stiffer Arches buff wove paper. This impression, printed on soft cream wove paper and numbered 1/30, originates from that initial set. // A solitary figure leans over a bathroom sink in this quietly devastating etching and aquatint from William Kentridge's seminal Domestic Scenes series — the fifty small etchings of 1980 that mark the very beginning of the artist's printmaking career. The intimacy of the domestic setting belies the political charge that permeates every scene in the series, where private life under apartheid becomes a theatre of quiet tension. Kentridge's soft tonal modelling, achieved through delicate aquatint, gives the composition a warmth and tactile presence that reproductions cannot convey. Numbered 1/30 and printed on the original soft cream wove paper of the first edition, this impression is among the earliest and most desirable from the series.
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William Kentridge
Exhibition William Kentridge (Pit Monotypes), 1979
Limited Edition Print
Silkscreen
EUR 15,000
William Kentridge
Untitled, From Domestic Scenes, 1980
Limited Edition Print
Etching And Aquatint
EUR 15,000
William Kentridge
The Passion Of Mrs Eckstein, 1991
Drawing / Watercolor
Mixed Media
Inquire For Price
What is Surrealism?
Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.
