Sam Francis

Untitled, 1984

106.7 X 73 inch

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Domestic Scenes

William KENTRIDGE | The Passion of Mrs Eckstein | Mixed Media, 1991 — available on Composition Gallery

Charcoal and pastel on thick Rives wove paper. From Sobriety, Obesity & Growing Old; Kentridge's fourth film. This drawing appears from 4:51 to 4:56. The surface shows pronounced agitation from the artist's repeated reworking, resulting in a subtly three-dimensional texture. A small hole, worn through by the artist during the process and later repaired by him. Overall in excellent condition. // A figure appears to submerge in a field of luminous blue pastel in this monumental charcoal and pastel drawing from William Kentridge's fourth animated film, Sobriety, Obesity & Growing Old. Visible on screen from 4:51 to 4:56, the drawing bears the pronounced surface agitation of Kentridge's signature process — repeatedly drawing, erasing and redrawing on the same sheet to create his stop-motion animations. The result is a subtly three-dimensional texture that records the physical history of the artist's hand. A small hole worn through by the process and later repaired by Kentridge himself adds to the work's visceral authenticity. This is a rare opportunity to acquire a key frame from one of the defining animation cycles in contemporary art.

Artwork Copyright © William Kentridge

The Passion of Mrs Eckstein, 1991

form

Medium

Edition

Charcoal and pastel on thick Rives wove paper. From Sobriety, Obesity & Growing Old; Kentridge's fourth film. This drawing appears from 4:51 to 4:56. The surface shows pronounced agitation from the artist's repeated reworking, resulting in a subtly three-dimensional texture. A small hole, worn through by the artist during the process and later repaired by him. Overall in excellent condition. // A figure appears to submerge in a field of luminous blue pastel in this monumental charcoal and pastel drawing from William Kentridge's fourth animated film, Sobriety, Obesity & Growing Old. Visible on screen from 4:51 to 4:56, the drawing bears the pronounced surface agitation of Kentridge's signature process — repeatedly drawing, erasing and redrawing on the same sheet to create his stop-motion animations. The result is a subtly three-dimensional texture that records the physical history of the artist's hand. A small hole worn through by the process and later repaired by Kentridge himself adds to the work's visceral authenticity. This is a rare opportunity to acquire a key frame from one of the defining animation cycles in contemporary art.

Artwork Copyright © William Kentridge

William Kentridge

The Bacchae, 1983

Limited Edition Print

Silkscreen

EUR 9,500

William Kentridge

Film At The Market, 1986

Limited Edition Print

Silkscreen

EUR 9,500

William Kentridge

Woozebear And The Zoo-Bears, 1981

Limited Edition Print

Offset Print

EUR 9,500

William Kentridge

Exhibition William Kentridge (Pit Monotypes), 1979

Limited Edition Print

Silkscreen

EUR 15,000

William Kentridge

Dikhitsheneng (The Kitchens), 1980

Limited Edition Print

Silkscreen

EUR 9,500

William Kentridge

Security, 1979

Limited Edition Print

Silkscreen

EUR 9,500

William Kentridge

Untitled, From Domestic Scenes, 1980

Limited Edition Print

Etching And Aquatint

EUR 15,000

William Kentridge

Embarkation, 1986

Drawing / Watercolor

Mixed Media

Inquire For Price

William Kentridge

A Wildlife Catalogue II, 1980

Limited Edition Print

Etching

EUR 25,000

William Kentridge

The Passion Of Mrs Eckstein, 1991

Drawing / Watercolor

Mixed Media

Inquire For Price

William Kentridge

Domestic Scenes, 1980

Limited Edition Print

Mixed Media

EUR 15,000

William Kentridge

No Idea Thought Image, 2016

Limited Edition Print

Screen-print

Currently Not Available

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What is Gestural?

Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.

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