Sam Francis

Untitled, 1984

106.7 X 73 inch

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Dikhitsheneng (The Kitchens)

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Untitled, from Domestic Scenes

William KENTRIDGE | Security | Silkscreen, 1979 — available on Composition Gallery

Silkscreen poster. In the mid-1970s, William Kentridge produced posters for the Junction Avenue Theatre Company, printing approximately 20–30 impressions of each. Few examples survive, and even fewer are signed by the artist, as is the present work. An unsigned impression is the only pre-1989 Kentridge print in the collection of Museum of Modern Art. // A menacing figure clutches a heavy chain in this stark, graphic silkscreen poster — one of William Kentridge's earliest printed works and a visceral indictment of the repressive apparatus of apartheid-era South Africa. The bold black forms on raw paper recall both woodcut protest imagery and the economy of agitprop, yet Kentridge's compositional assurance already transcends mere illustration. An unsigned impression is the only pre-1989 Kentridge print held by the Museum of Modern Art, underscoring the rarity and art-historical importance of this signed example. Produced in an edition of approximately 20 to 30 for the Junction Avenue Theatre Company, very few impressions are known to survive.

Artwork Copyright © William Kentridge

Security, 1979

form

Medium

Edition

Silkscreen poster. In the mid-1970s, William Kentridge produced posters for the Junction Avenue Theatre Company, printing approximately 20–30 impressions of each. Few examples survive, and even fewer are signed by the artist, as is the present work. An unsigned impression is the only pre-1989 Kentridge print in the collection of Museum of Modern Art. // A menacing figure clutches a heavy chain in this stark, graphic silkscreen poster — one of William Kentridge's earliest printed works and a visceral indictment of the repressive apparatus of apartheid-era South Africa. The bold black forms on raw paper recall both woodcut protest imagery and the economy of agitprop, yet Kentridge's compositional assurance already transcends mere illustration. An unsigned impression is the only pre-1989 Kentridge print held by the Museum of Modern Art, underscoring the rarity and art-historical importance of this signed example. Produced in an edition of approximately 20 to 30 for the Junction Avenue Theatre Company, very few impressions are known to survive.

Artwork Copyright © William Kentridge

William Kentridge

The Bacchae, 1983

Limited Edition Print

Silkscreen

EUR 9,500

William Kentridge

Film At The Market, 1986

Limited Edition Print

Silkscreen

EUR 9,500

William Kentridge

Woozebear And The Zoo-Bears, 1981

Limited Edition Print

Offset Print

EUR 9,500

William Kentridge

Exhibition William Kentridge (Pit Monotypes), 1979

Limited Edition Print

Silkscreen

EUR 15,000

William Kentridge

Dikhitsheneng (The Kitchens), 1980

Limited Edition Print

Silkscreen

EUR 9,500

William Kentridge

Security, 1979

Limited Edition Print

Silkscreen

EUR 9,500

William Kentridge

Untitled, From Domestic Scenes, 1980

Limited Edition Print

Etching And Aquatint

EUR 15,000

William Kentridge

Embarkation, 1986

Drawing / Watercolor

Mixed Media

Inquire For Price

William Kentridge

A Wildlife Catalogue II, 1980

Limited Edition Print

Etching

EUR 25,000

William Kentridge

The Passion Of Mrs Eckstein, 1991

Drawing / Watercolor

Mixed Media

Inquire For Price

William Kentridge

Domestic Scenes, 1980

Limited Edition Print

Mixed Media

EUR 15,000

William Kentridge

No Idea Thought Image, 2016

Limited Edition Print

Screen-print

Currently Not Available

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What is Gestural?

Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.

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