Sam Francis

Untitled, 1984

106.7 X 73 inch

« previous

Woozebear and the Zoo-Bears

next »

Dikhitsheneng (The Kitchens)

William KENTRIDGE | Exhibition William Kentridge (Pit Monotypes) | Silkscreen, 1979 — available on Composition Gallery

One of only ten signed impressions of the silkscreen poster executed by William Kentridge for his first exhibition. In 1979, Kentridge produced the Pit monotypes, marking the start of his professional practice. Later that year, the Market Theatre Gallery presented his first exhibition, for which this poster was created using imagery from the series. // This silkscreen poster for William Kentridge's very first exhibition — presenting the Pit Monotypes at the Market Theatre Gallery in 1979 — is among the most historically significant works in the artist's printed catalogue. One of only ten signed impressions, the poster draws its imagery directly from the monotype series that launched Kentridge's professional career, marking the precise moment when a young Johannesburg artist stepped onto the international stage. The graphic directness of the silkscreen medium reinforces the raw, unpolished energy of the Pit imagery, which already contains the seeds of Kentridge's later explorations of landscape, labour and erasure. As both a landmark of South African art history and an exceedingly rare collector's item, this poster occupies a unique position.

Artwork Copyright © William Kentridge

Exhibition William Kentridge (Pit Monotypes), 1979

form

Medium

Edition

One of only ten signed impressions of the silkscreen poster executed by William Kentridge for his first exhibition. In 1979, Kentridge produced the Pit monotypes, marking the start of his professional practice. Later that year, the Market Theatre Gallery presented his first exhibition, for which this poster was created using imagery from the series. // This silkscreen poster for William Kentridge's very first exhibition — presenting the Pit Monotypes at the Market Theatre Gallery in 1979 — is among the most historically significant works in the artist's printed catalogue. One of only ten signed impressions, the poster draws its imagery directly from the monotype series that launched Kentridge's professional career, marking the precise moment when a young Johannesburg artist stepped onto the international stage. The graphic directness of the silkscreen medium reinforces the raw, unpolished energy of the Pit imagery, which already contains the seeds of Kentridge's later explorations of landscape, labour and erasure. As both a landmark of South African art history and an exceedingly rare collector's item, this poster occupies a unique position.

Artwork Copyright © William Kentridge

William Kentridge

The Bacchae, 1983

Limited Edition Print

Silkscreen

EUR 9,500

William Kentridge

Film At The Market, 1986

Limited Edition Print

Silkscreen

EUR 9,500

William Kentridge

Woozebear And The Zoo-Bears, 1981

Limited Edition Print

Offset Print

EUR 9,500

William Kentridge

Exhibition William Kentridge (Pit Monotypes), 1979

Limited Edition Print

Silkscreen

EUR 15,000

William Kentridge

Dikhitsheneng (The Kitchens), 1980

Limited Edition Print

Silkscreen

EUR 9,500

William Kentridge

Security, 1979

Limited Edition Print

Silkscreen

EUR 9,500

William Kentridge

Untitled, From Domestic Scenes, 1980

Limited Edition Print

Etching And Aquatint

EUR 15,000

William Kentridge

Embarkation, 1986

Drawing / Watercolor

Mixed Media

Inquire For Price

William Kentridge

A Wildlife Catalogue II, 1980

Limited Edition Print

Etching

EUR 25,000

William Kentridge

The Passion Of Mrs Eckstein, 1991

Drawing / Watercolor

Mixed Media

Inquire For Price

William Kentridge

Domestic Scenes, 1980

Limited Edition Print

Mixed Media

EUR 15,000

William Kentridge

No Idea Thought Image, 2016

Limited Edition Print

Screen-print

Currently Not Available

Stay Updated on William Kentridge

Subscribe to receive updates on new artworks, exhibitions and news about William Kentridge.

We respect your privacy and protect your information.

What is Surrealism?

Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.

RECENTLY VIEWED

-->