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One of only ten signed impressions of the silkscreen poster executed by William Kentridge for his first exhibition. In 1979, Kentridge produced the Pit monotypes, marking the start of his professional practice. Later that year, the Market Theatre Gallery presented his first exhibition, for which this poster was created using imagery from the series. // This silkscreen poster for William Kentridge's very first exhibition — presenting the Pit Monotypes at the Market Theatre Gallery in 1979 — is among the most historically significant works in the artist's printed catalogue. One of only ten signed impressions, the poster draws its imagery directly from the monotype series that launched Kentridge's professional career, marking the precise moment when a young Johannesburg artist stepped onto the international stage. The graphic directness of the silkscreen medium reinforces the raw, unpolished energy of the Pit imagery, which already contains the seeds of Kentridge's later explorations of landscape, labour and erasure. As both a landmark of South African art history and an exceedingly rare collector's item, this poster occupies a unique position.
Exhibition William Kentridge (Pit Monotypes), 1979
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69.7 x 45.2 cm
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Details
Artist
Styles
One of only ten signed impressions of the silkscreen poster executed by William Kentridge for his first exhibition. In 1979, Kentridge produced the Pit monotypes, marking the start of his professional practice. Later that year, the Market Theatre Gallery presented his first exhibition, for which this poster was created using imagery from the series. // This silkscreen poster for William Kentridge's very first exhibition — presenting the Pit Monotypes at the Market Theatre Gallery in 1979 — is among the most historically significant works in the artist's printed catalogue. One of only ten signed impressions, the poster draws its imagery directly from the monotype series that launched Kentridge's professional career, marking the precise moment when a young Johannesburg artist stepped onto the international stage. The graphic directness of the silkscreen medium reinforces the raw, unpolished energy of the Pit imagery, which already contains the seeds of Kentridge's later explorations of landscape, labour and erasure. As both a landmark of South African art history and an exceedingly rare collector's item, this poster occupies a unique position.
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What is Surrealism?
Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.
