Details
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Silkscreen poster. In the mid-1970s, William Kentridge produced posters for the Junction Avenue Theatre Company, printing approximately 20–30 impressions of each. Few examples survive, and even fewer are signed by the artist, as is the present work. // A kitchen worker sits in weary contemplation, head propped in hand, rendered in Kentridge's bold black silkscreen line against raw paper in a composition that distils the exhaustion and dignity of manual labour. This poster for the Junction Avenue Theatre Company's Dikhitsheneng (The Kitchens) is rooted in the political theatre of 1980s Johannesburg, where plays about working-class Black experience challenged the cultural apparatus of apartheid. Kentridge's empathetic figuration — drawn from direct observation rather than caricature — anticipates the humanist concerns that would permeate his mature drawings and films. Signed by the artist, this impression survives from an edition of approximately 20 to 30, with very few known examples extant.
Dikhitsheneng (The Kitchens), 1980
form
Medium
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61.5 x 43.8 cm
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- Centimeters
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Details
Artist
Styles
Silkscreen poster. In the mid-1970s, William Kentridge produced posters for the Junction Avenue Theatre Company, printing approximately 20–30 impressions of each. Few examples survive, and even fewer are signed by the artist, as is the present work. // A kitchen worker sits in weary contemplation, head propped in hand, rendered in Kentridge's bold black silkscreen line against raw paper in a composition that distils the exhaustion and dignity of manual labour. This poster for the Junction Avenue Theatre Company's Dikhitsheneng (The Kitchens) is rooted in the political theatre of 1980s Johannesburg, where plays about working-class Black experience challenged the cultural apparatus of apartheid. Kentridge's empathetic figuration — drawn from direct observation rather than caricature — anticipates the humanist concerns that would permeate his mature drawings and films. Signed by the artist, this impression survives from an edition of approximately 20 to 30, with very few known examples extant.
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What is figurative art?
Sometimes known as Figurativism, figurative art refers to sculptures and paintings that are clearly or specifically derived from real objects, making them representational. The term figurative art is often used in contrast to abstract art. However, since the emergence of abstract art, figurative art has come to describe any form of modern art that has strong references to the real world or actual situations.
