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Victor Vasarely, VP-118 is a screen-print from 1972 that exemplifies his mastery of Op Art. The artwork features two distinct sections, both composed of patterns of circles and ellipses that create an illusion of depth and movement. In the upper section, a spherical form appears to bulge outward, its dark and light circles generating a three-dimensional effect. The lower section uses a similar pattern but inverts the perspective, creating a recessed, tunnel-like effect. The use of warm orange, yellow, and black tones contrasts sharply with the cooler gray backdrop, further enhancing the optical illusion. This hand-signed and numbered print demonstrates Vasarely's deep engagement with visual perception, geometry, and the manipulation of spatial depth through repetition and color. // Very good condition. Some even toning to the paper due to age. a few creases in the margin. Image is intact with strong colors. Printed on cardboard.
VP-118, 1972
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105 x 62 cm
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Details
Artist
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Victor Vasarely, VP-118 is a screen-print from 1972 that exemplifies his mastery of Op Art. The artwork features two distinct sections, both composed of patterns of circles and ellipses that create an illusion of depth and movement. In the upper section, a spherical form appears to bulge outward, its dark and light circles generating a three-dimensional effect. The lower section uses a similar pattern but inverts the perspective, creating a recessed, tunnel-like effect. The use of warm orange, yellow, and black tones contrasts sharply with the cooler gray backdrop, further enhancing the optical illusion. This hand-signed and numbered print demonstrates Vasarely's deep engagement with visual perception, geometry, and the manipulation of spatial depth through repetition and color. // Very good condition. Some even toning to the paper due to age. a few creases in the margin. Image is intact with strong colors. Printed on cardboard.
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What is constructivism?
Constructivism is an architectural and artistic philosophy of Russian origin that emerged as a rejection of the idea of autonomous art. The movement advocated for art to serve practical social purposes. Since its inception in 1919, Constructivism has evolved and significantly impacted 20th-century art movements, influencing major trends such as De Stijl and Bauhaus.