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Original screenprint in colors on wove paper - Hand Signed by Vasarely in Pencil - Published by Editions Denise René, Paris. // Viva by Victor Vasarely is a 1974 limited edition screen-print that masterfully utilizes geometric forms and bold colors to create a striking optical effect. The composition is divided into two halves: one featuring distorted rectangles in blue and green, and the other composed of vibrant ovals in red and blue. The design appears to warp and recede into space, creating an illusion of depth and curvature. Vasarely's precise use of contrasting shapes and colors plays with the viewer's perception, making the flat surface seem dynamic and multidimensional. Hand-signed in pencil, this work exemplifies his contribution to the Op Art movement.
Viva, 1974
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Medium
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77.5 x 77.5 cm
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Details
Artist
Styles
Original screenprint in colors on wove paper - Hand Signed by Vasarely in Pencil - Published by Editions Denise René, Paris. // Viva by Victor Vasarely is a 1974 limited edition screen-print that masterfully utilizes geometric forms and bold colors to create a striking optical effect. The composition is divided into two halves: one featuring distorted rectangles in blue and green, and the other composed of vibrant ovals in red and blue. The design appears to warp and recede into space, creating an illusion of depth and curvature. Vasarely's precise use of contrasting shapes and colors plays with the viewer's perception, making the flat surface seem dynamic and multidimensional. Hand-signed in pencil, this work exemplifies his contribution to the Op Art movement.
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What is kinetic art?
Kinetic art is an international movement that emerged in the 1920s and gained prominence in the 1960s, referring to art that involves both apparent and real motion. It encompasses any medium that includes movement, either relying on actual motion for its effect or being perceived as moving by the viewer. Early examples include canvas paintings designed to create optical illusions of movement. Today, kinetic art often refers to three-dimensional figures and sculptures, such as those operated by machines or those that move naturally. The movement covers a variety of styles and techniques that frequently overlap.
