Sam Francis

Untitled, 1984

106.7 X 73 inch

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Hyper transformation

Vera Molnar's Lettres de ma mère (6), 1990, portfolio of six abstract serigraphs resembling handwritten letters, exploring repetition and abstraction.
Vera Molnar's Lettres de ma mère (6), 1990, portfolio of six abstract serigraphs resembling handwritten letters, exploring repetition and abstraction.
Vera Molnar's Lettres de ma mère (6), 1990, portfolio of six abstract serigraphs resembling handwritten letters, exploring repetition and abstraction.
Vera Molnar's Lettres de ma mère (6), 1990, portfolio of six abstract serigraphs resembling handwritten letters, exploring repetition and abstraction.

Serigraphy after plotter drawing. - Portfolio of 6 prints. - The prints have been professionally laminated. - Edition: Museum Vasarely Budapest, 1990. // Lettres de ma mère (6) by Vera Molnar is a limited edition portfolio of six serigraphs created in 1990, drawing from her background in algorithmic and computer-generated art. Each print features densely layered, abstract forms that resemble handwritten letters, arranged in a grid that gradually intensifies from sparse to heavily filled spaces. The work appears to echo the visual rhythms of handwriting, creating a textured landscape of marks that both hint at and obscure language. Molnar, a pioneer in digital and algorithmic art, often explores the tension between systematic repetition and organic variation, inviting viewers to reflect on the nature of communication, memory, and the abstraction of personal connections. Produced by the Vasarely Museum in Budapest, this portfolio exemplifies Molnar’s unique approach to merging art with mathematics.

Artwork Copyright © Vera Molnar

Lettres de ma mère (6), 1990

form

Medium

Edition

Serigraphy after plotter drawing. - Portfolio of 6 prints. - The prints have been professionally laminated. - Edition: Museum Vasarely Budapest, 1990. // Lettres de ma mère (6) by Vera Molnar is a limited edition portfolio of six serigraphs created in 1990, drawing from her background in algorithmic and computer-generated art. Each print features densely layered, abstract forms that resemble handwritten letters, arranged in a grid that gradually intensifies from sparse to heavily filled spaces. The work appears to echo the visual rhythms of handwriting, creating a textured landscape of marks that both hint at and obscure language. Molnar, a pioneer in digital and algorithmic art, often explores the tension between systematic repetition and organic variation, inviting viewers to reflect on the nature of communication, memory, and the abstraction of personal connections. Produced by the Vasarely Museum in Budapest, this portfolio exemplifies Molnar’s unique approach to merging art with mathematics.

Artwork Copyright © Vera Molnar

Vera Molnar

Hyper Transformation, 1974

Limited Edition Print

Screen-print

EUR 1,990

Vera Molnar

Lettres De Ma Mère (6), 1990

Limited Edition Print

Serigraph

EUR 4,950

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What is constructivism?

Constructivism is an architectural and artistic philosophy of Russian origin that emerged as a rejection of the idea of autonomous art. The movement advocated for art to serve practical social purposes. Since its inception in 1919, Constructivism has evolved and significantly impacted 20th-century art movements, influencing major trends such as De Stijl and Bauhaus.

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