
Signed, titled dated and numbered by Emin on the front
'But Yea' by Tracey Emin is an etching presenting a spare, continuous line that traces the contours of a reclining nude torso, cropped at the shoulders and thighs. A small circled mark and a brief angular notation interrupt the otherwise unbroken outline. The handwritten title 'But Yea' is inscribed in the upper field in Emin's recognisable loose script, collapsing the boundary between text and image — a device she employs across her neon works, paintings, and prints alike. The work is hand-signed in pencil in the lower right margin and is from a numbered edition. Printed on a sheet of 29.5 × 20.5 cm, the image sits within a generous white border that isolates the spare mark-making. The etching belongs to Emin's sustained practice of using the body and personal language as raw material, translating the confessional directness of works like 'My Bed' into the controlled intimacy of the printed line.
But Yea, 2005
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Signed, titled dated and numbered by Emin on the front
'But Yea' by Tracey Emin is an etching presenting a spare, continuous line that traces the contours of a reclining nude torso, cropped at the shoulders and thighs. A small circled mark and a brief angular notation interrupt the otherwise unbroken outline. The handwritten title 'But Yea' is inscribed in the upper field in Emin's recognisable loose script, collapsing the boundary between text and image — a device she employs across her neon works, paintings, and prints alike. The work is hand-signed in pencil in the lower right margin and is from a numbered edition. Printed on a sheet of 29.5 × 20.5 cm, the image sits within a generous white border that isolates the spare mark-making. The etching belongs to Emin's sustained practice of using the body and personal language as raw material, translating the confessional directness of works like 'My Bed' into the controlled intimacy of the printed line.
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What is feminist art?
Feminist art refers to the art that emerged from the feminist art movement during the 1960s and 1970s. It developed with the intention of critiquing 20th-century gender ideals and challenging the traditional canon of art history. Feminist art seeks to create a dialogue between the artwork and the viewer through a feminist lens, often addressing issues of gender, identity, and social justic

Tracey Emin
But Yea, 2005
29.5 x 20.5 cm























































































