Details
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offset lithograph, on glossy wove paper // Tracey Emin's But Yea (2015) is an offset lithograph that showcases her iconic use of neon light as a medium for conveying intimate and provocative messages. The artwork features a neon-like drawing of a female figure, rendered in fluid, white lines against a dark background. Above the figure, the handwritten phrase But Yea glows, merging language and imagery in a style characteristic of Emin's work. The piece is both bold and vulnerable, inviting viewers into an intimate space of personal expression. The glossy finish of the wove paper enhances the luminous effect, making the image appear as if it’s a real neon installation. Emin’s signature at the bottom adds authenticity and a personal touch, further linking the piece to her autobiographical artistic approach.
But Yea, 2015
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69.9 x 50.2 cm
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Details
Artist
Styles
offset lithograph, on glossy wove paper // Tracey Emin's But Yea (2015) is an offset lithograph that showcases her iconic use of neon light as a medium for conveying intimate and provocative messages. The artwork features a neon-like drawing of a female figure, rendered in fluid, white lines against a dark background. Above the figure, the handwritten phrase But Yea glows, merging language and imagery in a style characteristic of Emin's work. The piece is both bold and vulnerable, inviting viewers into an intimate space of personal expression. The glossy finish of the wove paper enhances the luminous effect, making the image appear as if it’s a real neon installation. Emin’s signature at the bottom adds authenticity and a personal touch, further linking the piece to her autobiographical artistic approach.
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Who are the Young British Artists - YBA
Young British Artists (YBAs), also known as Britart or Brit artists, refers to a group of artists who began exhibiting together in London in 1988. Most of them graduated from the BA Fine Arts course at Goldsmiths in the late 1980s. The YBAs are known for their wild lifestyles, use of unconventional materials, and a combination of entrepreneurial and oppositional attitudes. They dominated the British art scene in the 1990s and gained significant media attention. Many of these artists were initially supported and collected by Charles Saatchi, a key figure in their rise to prominence.
