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Ink drawing, signed in the lower left corner. - Dimensions: 21 × 15 cm - From the deluxe edition of Tête Bêche, S.l., Marchant Ducel, 1987. The accompanying book is included and also signed by the artist. // 'Tête Bêche' by Pierre Alechinsky is an expressive ink drawing created in 1987. The work showcases Alechinsky's signature dynamic style, characterized by bold, gestural lines and intricate compositions. This piece combines abstract and figurative elements, with swirling black and white forms accented by a striking touch of red at the center, evoking tension and vitality. The frenetic energy of the strokes contrasts with the controlled composition, encapsulating a sense of movement and emotion. The work’s title, 'Tête Bêche,' refers to opposites or inversions, a theme reflected in the interplay between chaos and structure. This signed drawing is part of a deluxe edition by Marchant Ducel, including a book also signed by the artist.
Tête Bêche, 1987
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21 x 15 cm
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Details
Artist
Styles
Ink drawing, signed in the lower left corner. - Dimensions: 21 × 15 cm - From the deluxe edition of Tête Bêche, S.l., Marchant Ducel, 1987. The accompanying book is included and also signed by the artist. // 'Tête Bêche' by Pierre Alechinsky is an expressive ink drawing created in 1987. The work showcases Alechinsky's signature dynamic style, characterized by bold, gestural lines and intricate compositions. This piece combines abstract and figurative elements, with swirling black and white forms accented by a striking touch of red at the center, evoking tension and vitality. The frenetic energy of the strokes contrasts with the controlled composition, encapsulating a sense of movement and emotion. The work’s title, 'Tête Bêche,' refers to opposites or inversions, a theme reflected in the interplay between chaos and structure. This signed drawing is part of a deluxe edition by Marchant Ducel, including a book also signed by the artist.
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What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.