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“Energie”, 1988. Signed Alechinsky 1988, 28/70. Etching in colours on Japan paper. Sheet size 70×47 cm. // Pierre Alechinsky's Energie (1988) is an expressive etching and aquatint on Japan paper, merging abstract forms and vibrant colors. The composition centers around a dynamic spiral in black and yellow, conveying a sense of motion and intensity. The energetic swirl contrasts with three panels at the bottom, each featuring a human silhouette against red, yellow, and blue backgrounds. This juxtaposition creates a dialogue between the swirling, chaotic energy above and the grounded, almost static figures below. Alechinsky’s signature, expressive line work and his playful, gestural approach highlight themes of movement, vitality, and the interplay between order and chaos.
Energie, 1988
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70 x 47 cm
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Details
Artist
Styles
“Energie”, 1988. Signed Alechinsky 1988, 28/70. Etching in colours on Japan paper. Sheet size 70×47 cm. // Pierre Alechinsky's Energie (1988) is an expressive etching and aquatint on Japan paper, merging abstract forms and vibrant colors. The composition centers around a dynamic spiral in black and yellow, conveying a sense of motion and intensity. The energetic swirl contrasts with three panels at the bottom, each featuring a human silhouette against red, yellow, and blue backgrounds. This juxtaposition creates a dialogue between the swirling, chaotic energy above and the grounded, almost static figures below. Alechinsky’s signature, expressive line work and his playful, gestural approach highlight themes of movement, vitality, and the interplay between order and chaos.
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Pierre Alechinsky
Vacillations (with Watercolor), 1979
Limited Edition Print
Lithograph
Currently Not Available
What is the CoBrA movement?
CoBrA stands for Copenhagen, Brussels, and Amsterdam; the group was formed with a desire to break away from the existing art movements of the time. Their critique of Western society led them to experiment and evolve into a significant international movement. CoBrA was founded on November 8, 1948, at the Notre Dame Café in Paris, where its manifesto was signed by Karel Appel, Joseph Noiret, Corneille, Christian Dotremont, Constant, and Asger Jorn. The group was united by a shared commitment to freedom in both form and color, and their work emphasized experimentation and spontaneity.
