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Untitled (with Sean Kalish) #3 (1989) is a collaborative etching between Keith Haring and young artist Sean Kalish, blending Haring’s bold visual language with Kalish’s playful spontaneity. The artwork features a whimsical, double-faced figure filled with intricate details and lively, almost surreal, motifs. Arms stretch outward from both sides, while the faces are packed with overlapping elements like eyes, mouths, and miniature creatures, inviting closer inspection. The loose, exploratory linework evokes a sense of raw creativity, highlighting Haring’s embrace of childlike imagination. Part of an exclusive edition of 33, this piece is a rare testament to Haring’s collaborative ethos and celebration of uninhibited artistic expression.
Untitled (w/ Sean Kalish) #3, 1989
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35.6 x 31.8 cm
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Details
Artist
Styles
Untitled (with Sean Kalish) #3 (1989) is a collaborative etching between Keith Haring and young artist Sean Kalish, blending Haring’s bold visual language with Kalish’s playful spontaneity. The artwork features a whimsical, double-faced figure filled with intricate details and lively, almost surreal, motifs. Arms stretch outward from both sides, while the faces are packed with overlapping elements like eyes, mouths, and miniature creatures, inviting closer inspection. The loose, exploratory linework evokes a sense of raw creativity, highlighting Haring’s embrace of childlike imagination. Part of an exclusive edition of 33, this piece is a rare testament to Haring’s collaborative ethos and celebration of uninhibited artistic expression.
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What is Street art?
Street Art is artwork created and executed in public spaces, outside of traditional art venues. It gained popularity during the 1980s graffiti art boom and has since evolved into various forms and styles. Common forms of Street Art include pop-up art, sticker art, stencil graffiti, and street installations or sculptures. Terms like guerrilla art, neo-graffiti, post-graffiti, and urban art are often used interchangeably to describe this genre, which challenges conventional ideas about where and how art should be displayed.