Details
Artist
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Original Lithograph in Colors on Hodgkinson Handmade Paper - Publisher: Petersburg Press London - Suite: OO LA LA - Hand Signed by Dine // Jim Dine's Kansas City There I Was (Blue) (1970) is a bold lithograph on Hodgkinson handmade paper, measuring 17.75 x 27.5 inches. Part of the OO LA LA suite and published by Petersburg Press, London, this piece features a striking blue phallic shape that dominates the composition, splattered with texture and pigment. The text KANSAS CITY THERE I WAS is boldly printed in red block letters, contrasting sharply against the white background and the blue form. Dine’s provocative and playful approach invites viewers to interpret the juxtaposition of the imagery and text, reflecting his often irreverent and expressive style. Hand-signed by the artist, this work highlights Dine's exploration of personal and cultural symbols within contemporary art.
Kansas City There I Was (Blue), 1970
form
Medium
Size
45.1 x 69.9 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Original Lithograph in Colors on Hodgkinson Handmade Paper - Publisher: Petersburg Press London - Suite: OO LA LA - Hand Signed by Dine // Jim Dine's Kansas City There I Was (Blue) (1970) is a bold lithograph on Hodgkinson handmade paper, measuring 17.75 x 27.5 inches. Part of the OO LA LA suite and published by Petersburg Press, London, this piece features a striking blue phallic shape that dominates the composition, splattered with texture and pigment. The text KANSAS CITY THERE I WAS is boldly printed in red block letters, contrasting sharply against the white background and the blue form. Dine’s provocative and playful approach invites viewers to interpret the juxtaposition of the imagery and text, reflecting his often irreverent and expressive style. Hand-signed by the artist, this work highlights Dine's exploration of personal and cultural symbols within contemporary art.
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Limited Edition Print
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What is Happening?
A Happening is a term used to describe artistic and theatrical events held by artists in the 1950s and 60s. These events were typically staged in gallery installations or planned environments and often involved audience participation, along with elements like lighting, sounds, and slide projections. Happenings were a precursor to performance art, which later included the active participation of the artists themselves.
