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one colour lithograph on natural Inomachi Nacre, 22 x 30 inches /55.9 x 76.2 cm., edition 20, signed and numbered, 2010 // Brushes Drawn on Stone #2 by Jim Dine is a lithograph on natural Inomachi Nacre paper, portraying an assortment of paintbrushes arranged in a seemingly casual yet deliberate manner. The monochromatic palette enhances the texture and form of each brush, emphasizing their worn bristles and handles. Dine's attention to the physicality of these everyday tools suggests a reverence for the artist's process, capturing the essence of creation and craft. Produced in 2010 as a limited edition of 20, this signed and numbered lithograph reflects Dine's fascination with ordinary objects and his ability to elevate them into subjects of deep artistic contemplation.
Brushes Drawn on Stone #2, 2010
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76.2 x 56 cm
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Details
Artist
Styles
one colour lithograph on natural Inomachi Nacre, 22 x 30 inches /55.9 x 76.2 cm., edition 20, signed and numbered, 2010 // Brushes Drawn on Stone #2 by Jim Dine is a lithograph on natural Inomachi Nacre paper, portraying an assortment of paintbrushes arranged in a seemingly casual yet deliberate manner. The monochromatic palette enhances the texture and form of each brush, emphasizing their worn bristles and handles. Dine's attention to the physicality of these everyday tools suggests a reverence for the artist's process, capturing the essence of creation and craft. Produced in 2010 as a limited edition of 20, this signed and numbered lithograph reflects Dine's fascination with ordinary objects and his ability to elevate them into subjects of deep artistic contemplation.
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Offset Print
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The Realistic Poet Assassinated, 1970 / 1971
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Etching
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Untitled - Artist Palette With Heart In Red, 1986
Sculpture / Object
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Limited Edition Print
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Jim Dine
12' Saddle Bench For Basil's Studio, 1968
Limited Edition Print
Lithograph
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Jim Dine
Dorian Gray In Multi-Colored Vinyl Stripe Cape, 1968
Limited Edition Print
Lithograph
USD 1,430
What is Gestural?
Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.