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Etching and aquatint in colors on Zerkall White paper, signed in pencil, dated - Published/printed by Gesselschaft der Freunde der Albertina/Werkstatt für Handgedrcukte Original-Graphik, Vienna - Plate 17 7/8 x 12 3/16in (45.4 x 31cm) - Sheet 26 13/16 x 21 1/16in (68.1 x 53.5cm) - Literature: Carpenter 33 // Jim Dine’s 'Albertina Venus' is a 1989 etching and aquatint on Zerkall White paper, depicting a classical, headless Venus statue rendered with expressive texture and vivid colors. The statue's rugged form, painted in bold shades of red, contrasts with the deep blue sky and dark grass at the base. Dine’s interpretation of the ancient Venus embraces both its timeless beauty and its worn, fractured appearance, evoking a sense of history and erosion. The etching showcases his mastery of combining classical themes with contemporary techniques, giving new life to the figure while maintaining a sense of reverence for the past.
Albertina Venus, 1989
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68.1 x 53.5 cm
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Details
Artist
Styles
Etching and aquatint in colors on Zerkall White paper, signed in pencil, dated - Published/printed by Gesselschaft der Freunde der Albertina/Werkstatt für Handgedrcukte Original-Graphik, Vienna - Plate 17 7/8 x 12 3/16in (45.4 x 31cm) - Sheet 26 13/16 x 21 1/16in (68.1 x 53.5cm) - Literature: Carpenter 33 // Jim Dine’s 'Albertina Venus' is a 1989 etching and aquatint on Zerkall White paper, depicting a classical, headless Venus statue rendered with expressive texture and vivid colors. The statue's rugged form, painted in bold shades of red, contrasts with the deep blue sky and dark grass at the base. Dine’s interpretation of the ancient Venus embraces both its timeless beauty and its worn, fractured appearance, evoking a sense of history and erosion. The etching showcases his mastery of combining classical themes with contemporary techniques, giving new life to the figure while maintaining a sense of reverence for the past.
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What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.
