Sam Francis

Untitled, 1984

106.7 X 73 inch

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Jim Dine A Double Feature, 1983 woodcut with hand-painting, mirrored portraits in bold red, blue, and black strokes, textured composition.

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Artist

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Woodcut with hand-painting - Signed, dated and numbered to upper left - Printed by the artist, Jeffrey Berman and Nicholas Dine, Aspen and published by Pace, New York. - Literature: D'Oench/Feinberg 155 // Jim Dine's A Double Feature (1983) is a monumental woodcut with hand-painting, measuring 130 x 192 cm. This expressive work features two mirrored portraits of a weathered face, rendered in bold, gestural strokes of red, blue, black, and flesh tones. The textured woodcut technique, combined with Dine’s hand-painted embellishments, lends the piece a raw and visceral quality. The juxtaposition of the two figures invites contemplation of duality and self-perception, common themes in Dine’s oeuvre. Signed, dated, and numbered at the upper left, the piece was printed by the artist with Jeffrey Berman and Nicholas Dine in Aspen and published by Pace, New York. This work is documented in D'Oench/Feinberg 155.

Artwork Copyright © Jim Dine

Jim Dine

A Double Feature, 1983

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130 x 192   cm
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Details

Artist

Styles

Woodcut with hand-painting - Signed, dated and numbered to upper left - Printed by the artist, Jeffrey Berman and Nicholas Dine, Aspen and published by Pace, New York. - Literature: D'Oench/Feinberg 155 // Jim Dine's A Double Feature (1983) is a monumental woodcut with hand-painting, measuring 130 x 192 cm. This expressive work features two mirrored portraits of a weathered face, rendered in bold, gestural strokes of red, blue, black, and flesh tones. The textured woodcut technique, combined with Dine’s hand-painted embellishments, lends the piece a raw and visceral quality. The juxtaposition of the two figures invites contemplation of duality and self-perception, common themes in Dine’s oeuvre. Signed, dated, and numbered at the upper left, the piece was printed by the artist with Jeffrey Berman and Nicholas Dine in Aspen and published by Pace, New York. This work is documented in D'Oench/Feinberg 155.

Artwork Copyright © Jim Dine
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Jim DINE | Double Venus in sky at night | Mixed Media available for sale on composition gallery

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Jim Dine’s Dexter's Four Robes, woodcut with hand coloring, shows four colorful robes arranged in a grid with thick black outlines.

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The Memory, 2014

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Jim Dine's Four Hearts in Silver, 2007, mixed media print with textured hearts in purple, yellow, red, and green on a black and silver background.

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Four Hearts In Silver, 2007

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Jim Dine's Untitled from Pinocchio Suite 2005 lithograph featuring Pinocchio with a long nose, flanked by the Cat and the Fox in expressive red and blue tones.

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Untitled From Pinocchio Suite, 2005

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Jim Dine The Red Talisman print, black heart woodblock over vivid red background, expressive and textured abstract composition.

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The Red Talisman, 2018

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Jim Dine Red Design for Satin Heart color etching of a bleeding red heart with dripping streaks and handwritten text in the upper right.

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Limited Edition Print

Etching

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Jim Dine etching The Realistic Poet Assassinated, 1971, featuring a top-hatted figure, heart, star, and hand with expressive scribbled lines.

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Limited Edition Print

Etching

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What is Gestural?
Artwork by Joan Mitchell

What is Gestural?

Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.

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Jim Dine A Double Feature

Jim Dine

A Double Feature, 1983

Limited Edition Print

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