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Published by Petersburg Press London; Suite of The Picture of Dorian Gray; Original lithograph on acetate and Velin Arches paper // 12' Saddle Bench for Basil's Studio by Jim Dine is a lithograph created in 1968 as part of the suite for The Picture of Dorian Gray, published by Petersburg Press in London. This artwork features an elongated, stylized bench with saddle-like forms, arranged in a repetitive, wave-like pattern. The rich, earthy reds and dynamic lines suggest a sense of movement and texture, imbuing the bench with an almost sculptural quality. Dine's linework is expressive, and the minimal background emphasizes the bench’s organic, undulating form. This piece exemplifies Dine's ability to blend functionality with artistic exploration, as he interprets everyday objects with a sense of drama and personality.
12' Saddle Bench for Basil's Studio, 1968
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Medium
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45.7 x 32.4 cm
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Details
Artist
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Published by Petersburg Press London; Suite of The Picture of Dorian Gray; Original lithograph on acetate and Velin Arches paper // 12' Saddle Bench for Basil's Studio by Jim Dine is a lithograph created in 1968 as part of the suite for The Picture of Dorian Gray, published by Petersburg Press in London. This artwork features an elongated, stylized bench with saddle-like forms, arranged in a repetitive, wave-like pattern. The rich, earthy reds and dynamic lines suggest a sense of movement and texture, imbuing the bench with an almost sculptural quality. Dine's linework is expressive, and the minimal background emphasizes the bench’s organic, undulating form. This piece exemplifies Dine's ability to blend functionality with artistic exploration, as he interprets everyday objects with a sense of drama and personality.
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Jim Dine
12' Saddle Bench For Basil's Studio, 1968
Limited Edition Print
Lithograph
Inquire For Price
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Limited Edition Print
Lithograph
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What is pop-art?
Pop Art is an art movement that began in Britain in 1955 and in the late 1950s in the U.S. It challenged traditional fine arts by incorporating imagery from popular culture, such as news, advertising, and comic books. Pop Art often isolates and recontextualizes materials, combining them with unrelated elements. The movement is more about the attitudes and ideas that inspired it than the specific art itself. Pop Art is seen as a reaction against the dominant ideas of Abstract Expressionism, bringing everyday consumer culture into the realm of fine art.