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Published by Petersburg Press London; Suite of The Picture of Dorian Gray; Original lithograph on acetate and Velin Arches paper // 12' Saddle Bench for Basil's Studio by Jim Dine is a lithograph created in 1968 as part of the suite for The Picture of Dorian Gray, published by Petersburg Press in London. This artwork features an elongated, stylized bench with saddle-like forms, arranged in a repetitive, wave-like pattern. The rich, earthy reds and dynamic lines suggest a sense of movement and texture, imbuing the bench with an almost sculptural quality. Dine's linework is expressive, and the minimal background emphasizes the bench’s organic, undulating form. This piece exemplifies Dine's ability to blend functionality with artistic exploration, as he interprets everyday objects with a sense of drama and personality.
12' Saddle Bench for Basil's Studio, 1968
form
Medium
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45.7 x 32.4 cm
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Details
Artist
Styles
Published by Petersburg Press London; Suite of The Picture of Dorian Gray; Original lithograph on acetate and Velin Arches paper // 12' Saddle Bench for Basil's Studio by Jim Dine is a lithograph created in 1968 as part of the suite for The Picture of Dorian Gray, published by Petersburg Press in London. This artwork features an elongated, stylized bench with saddle-like forms, arranged in a repetitive, wave-like pattern. The rich, earthy reds and dynamic lines suggest a sense of movement and texture, imbuing the bench with an almost sculptural quality. Dine's linework is expressive, and the minimal background emphasizes the bench’s organic, undulating form. This piece exemplifies Dine's ability to blend functionality with artistic exploration, as he interprets everyday objects with a sense of drama and personality.
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Jim Dine
12' Saddle Bench For Basil's Studio, 1968
Limited Edition Print
Lithograph
Inquire For Price
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Limited Edition Print
Lithograph
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What is Kitsch?
Kitsch is a term used to describe cheap, commercial, sentimental, or vulgar art and objects commonly associated with popular culture. The word is borrowed from German, where it originally means trash. Since the 1920s, kitsch has been used to denote the opposite of high art, often implying that the work lacks sophistication or artistic merit.
