Sam Francis

Untitled, 1984

106.7 X 73 inch

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Fontaine Joe Syffert from Eight by Eight

Jean Tinguely Roto Zaza No. 1 screen print; abstract mechanical forms in red, black, and sketch-like lines suggesting motion.

// Jean Tinguely’s Roto Zaza No. 1 (1975) is a screen print that embodies his fascination with kinetic art and mechanical forms. The composition is a dynamic, chaotic assembly of abstract shapes, mechanical components, and lines that suggest movement and energy. Vivid colors, including bold reds and blacks, intertwine with sketch-like marks, evoking a machine-like structure that appears in constant motion. The overlapping forms and energetic lines reflect Tinguely's playful yet industrial aesthetic, encouraging viewers to imagine a machine that exists purely in the imagination, where functionality merges with artistic expression.

Artwork Copyright © Jean Tinguely

Roto Zaza No. 1, 1975

form

Medium

Edition

// Jean Tinguely’s Roto Zaza No. 1 (1975) is a screen print that embodies his fascination with kinetic art and mechanical forms. The composition is a dynamic, chaotic assembly of abstract shapes, mechanical components, and lines that suggest movement and energy. Vivid colors, including bold reds and blacks, intertwine with sketch-like marks, evoking a machine-like structure that appears in constant motion. The overlapping forms and energetic lines reflect Tinguely's playful yet industrial aesthetic, encouraging viewers to imagine a machine that exists purely in the imagination, where functionality merges with artistic expression.

Artwork Copyright © Jean Tinguely

Jean Tinguely

Fontaine Joe Syffert From Eight By Eight, 1984

Limited Edition Print

Screen-print

USD 1,300

Jean Tinguely

Chaos I, 1973

Limited Edition Print

Etching

Currently Not Available

Jean Tinguely

Roto Zaza No. 1, 1975

Limited Edition Print

Screen-print

Currently Not Available

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What is Hard Edge Art?

Hard Edge art is a style of abstract painting that became popular in the 1960s. It features areas of color separated by crisp, sharp edges that are painted with geometric precision. The term hard-edge painting was coined by art critic Jules Langsner to describe this approach, which contrasts with the softer, more fluid forms of other abstract styles.

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