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Offset lithograph. Based on a watercolor completed on January 18, 1984. Not signed. The edition includes 75 copies signed and numbered in pencil, 20 artist’s proofs and 12 unmarked impressions. Published by Achenbach Art Editions GMBH. IBM (G.EL.2, 18.1.1984) (1987) by Gerhard Richter is an offset lithograph that exemplifies his interest in abstraction and layered color. Created from an original painting dated 1984, the print is a dense visual field of overlapping hues—vibrant yellows, reds, greens, and purples—forming organic shapes that suggest movement and depth. The work appears both chaotic and composed, characteristic of Richter's explorations of visual perception. Produced in an exceptionally rare edition of only 12, this print holds a notable place within his experimental series of color abstractions.
IBM (G.EL.2, 18.1.1984), 1987
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50.2 x 57.8 cm
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Details
Artist
Styles
Offset lithograph. Based on a watercolor completed on January 18, 1984. Not signed. The edition includes 75 copies signed and numbered in pencil, 20 artist’s proofs and 12 unmarked impressions. Published by Achenbach Art Editions GMBH. IBM (G.EL.2, 18.1.1984) (1987) by Gerhard Richter is an offset lithograph that exemplifies his interest in abstraction and layered color. Created from an original painting dated 1984, the print is a dense visual field of overlapping hues—vibrant yellows, reds, greens, and purples—forming organic shapes that suggest movement and depth. The work appears both chaotic and composed, characteristic of Richter's explorations of visual perception. Produced in an exceptionally rare edition of only 12, this print holds a notable place within his experimental series of color abstractions.
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What is Gestural?
Gestural art is a term that describes painting with freely sweeping brushstrokes. The primary goal of gestural art is to allow the artist to physically express emotional impulses. The varied, yet expressive paint marks are intended to convey the artist's inner thoughts and emotions, which viewers are believed to understand through the dynamic and spontaneous application of paint.
