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Diasec-mounted Giclée print on aluminium composite panel - Numbered and stamped by the publisher on the label label (verso) // Cage: P19-4 by Gerhard Richter is a limited edition giclée print created in 2020. This abstract work showcases Richter's masterful use of texture and layering. Dominated by a complex interplay of red, grey, and subtle hints of other colors, the composition features fragmented, scraped layers of paint that reveal glimpses of the underlying colors. The dynamic structure of the painting gives it a sense of depth and movement, evoking an industrial or urban atmosphere. Richter's technique in this piece reflects his exploration of chance, control, and the unpredictable nature of abstraction.
Cage: P19-4, 2020
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100 x 100 cm
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Details
Artist
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Diasec-mounted Giclée print on aluminium composite panel - Numbered and stamped by the publisher on the label label (verso) // Cage: P19-4 by Gerhard Richter is a limited edition giclée print created in 2020. This abstract work showcases Richter's masterful use of texture and layering. Dominated by a complex interplay of red, grey, and subtle hints of other colors, the composition features fragmented, scraped layers of paint that reveal glimpses of the underlying colors. The dynamic structure of the painting gives it a sense of depth and movement, evoking an industrial or urban atmosphere. Richter's technique in this piece reflects his exploration of chance, control, and the unpredictable nature of abstraction.
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Gerhard Richter
Seestück (bewölkt), 1969/2022
Limited Edition Print
Digital Print On Paper
GBP 4,600
What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.