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Offset lithograph on wove paper, signed, dated and titled in pencil by the artist. // Bahnhof (Hannover) by Gerhard Richter is an evocative offset lithograph that portrays a train station scene through a delicate interplay of abstraction and realism. Created in 1967, this limited edition lithograph measures 58 cm by 69 cm and is signed, dated, and titled by the artist. The composition appears as if veiled in mist, with blurred architectural details that hint at the grandeur and symmetry of the station, creating a ghostly, atmospheric effect. Richter's technique imbues the piece with a sense of fleeting movement and transience, as if capturing a memory or the remnants of a moment. The monochromatic tones enhance the work's introspective mood, inviting viewers to reflect on themes of time, memory, and the passage of travelers through this symbolic space.
Bahnhof (Hannover), 1967
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58 x 69 cm
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Details
Artist
Styles
Offset lithograph on wove paper, signed, dated and titled in pencil by the artist. // Bahnhof (Hannover) by Gerhard Richter is an evocative offset lithograph that portrays a train station scene through a delicate interplay of abstraction and realism. Created in 1967, this limited edition lithograph measures 58 cm by 69 cm and is signed, dated, and titled by the artist. The composition appears as if veiled in mist, with blurred architectural details that hint at the grandeur and symmetry of the station, creating a ghostly, atmospheric effect. Richter's technique imbues the piece with a sense of fleeting movement and transience, as if capturing a memory or the remnants of a moment. The monochromatic tones enhance the work's introspective mood, inviting viewers to reflect on themes of time, memory, and the passage of travelers through this symbolic space.
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Gerhard Richter
Seestück (bewölkt), 1969/2022
Limited Edition Print
Digital Print On Paper
GBP 4,600
What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.