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Drypoint on copper plate, printed by hand on Zerkall handmade paper 340 g, - Printed by Eva Möseneder Salzburg - Frame and paper size 50 x 40 cm, plate 20.2 x 18 cm // This artwork is a drypoint etching on a copper plate, meticulously printed by hand on Zerkall handmade paper (340 g). Measuring 20.2 x 18 cm within a larger frame and paper size of 50 x 40 cm, the piece features a rich, textured field of deep purple strokes. Rainer's signature approach to overpainting and mark-making is evident in this composition, where layers of fine, chaotic lines create a dense, shadow-like form. The title, Lila Wald (Purple Forest), evokes both nature and abstraction, capturing a sense of depth and mystery within the monochromatic hue. Part of an edition of 40, this work reflects Rainer’s dedication to exploring texture, color, and emotion through meticulous hand-printing techniques.
lila Wald, 2001
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Drypoint on copper plate, printed by hand on Zerkall handmade paper 340 g, - Printed by Eva Möseneder Salzburg - Frame and paper size 50 x 40 cm, plate 20.2 x 18 cm // This artwork is a drypoint etching on a copper plate, meticulously printed by hand on Zerkall handmade paper (340 g). Measuring 20.2 x 18 cm within a larger frame and paper size of 50 x 40 cm, the piece features a rich, textured field of deep purple strokes. Rainer's signature approach to overpainting and mark-making is evident in this composition, where layers of fine, chaotic lines create a dense, shadow-like form. The title, Lila Wald (Purple Forest), evokes both nature and abstraction, capturing a sense of depth and mystery within the monochromatic hue. Part of an edition of 40, this work reflects Rainer’s dedication to exploring texture, color, and emotion through meticulous hand-printing techniques.
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Arnulf Rainer
Kopf Auf Braun (Selbstportrait), 1991
Limited Edition Print
Mixed Media
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What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.
