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Photo etching on Zinc, drypoint etching reworked - Set of 3. Original linen folder including frontcover // This series consists of photo etchings on zinc and drypoint etchings, measuring 68 x 50 cm, presented within an original linen folder. The three compositions depict Rainer’s exploration of the human body and expression, emphasizing exaggerated poses and facial distortions. The first panel features a blue-toned figure with radiating lines, arms outstretched in an almost cruciform pose. The central panel, set against a green background, portrays a similar pose, but the figure is more dynamic and chaotic. The final red-toned image captures a frontal view of a distorted face with intense overdrawn lines, evoking tension and performative struggle. Rainer’s Body Poses series marks a key period in his career, where he merged photography with overpainting and etching. Stemming from his fascination with "Face Farces" and grimaces in public photo booths, these works incorporate performative elements of action art, emphasizing his unique engagement with physicality, abstraction, and emotional intensity. Exhibited in 2009/10 (Arnulf Rainer – Werke auf Papier 1970–2009), the series highlights Rainer’s innovative, expressive approach to the human form.
Body Poses, 1971/72, 1971 - 1975
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Details
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Photo etching on Zinc, drypoint etching reworked - Set of 3. Original linen folder including frontcover // This series consists of photo etchings on zinc and drypoint etchings, measuring 68 x 50 cm, presented within an original linen folder. The three compositions depict Rainer’s exploration of the human body and expression, emphasizing exaggerated poses and facial distortions. The first panel features a blue-toned figure with radiating lines, arms outstretched in an almost cruciform pose. The central panel, set against a green background, portrays a similar pose, but the figure is more dynamic and chaotic. The final red-toned image captures a frontal view of a distorted face with intense overdrawn lines, evoking tension and performative struggle. Rainer’s Body Poses series marks a key period in his career, where he merged photography with overpainting and etching. Stemming from his fascination with "Face Farces" and grimaces in public photo booths, these works incorporate performative elements of action art, emphasizing his unique engagement with physicality, abstraction, and emotional intensity. Exhibited in 2009/10 (Arnulf Rainer – Werke auf Papier 1970–2009), the series highlights Rainer’s innovative, expressive approach to the human form.
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What is the Zero Movement?
ZERO was an art movement founded by Otto Piene and Heinz Mack, aiming to develop into a large international and cross-border movement. The name ZERO originated from a magazine founded by Heinz Mack in 1957, which became a platform for the group's ideas. The magazine was published for several years before ceasing in 1967. The ZERO movement sought to create a new beginning in art, emphasizing light, space, and movement, and became influential in post-war European art.