Their work appeared in several West Berlin shows in the 1970s, moving on to major galleries and museums in Western Europe in the 1980s, most famously in the "New Art" show at London's Tate Gallery in 1983. In the 1980s, A.R. Penck was known for paintings featuring human forms drawn with neo-primitivist design, including pictographic elements, human figures and other forms that appear on totems.
« Every Standart can be imitated and reproduced and can thus become the property of every individual. »
A.R. Penck
His work continued to show up in many significant shows in New York City and London. A.R. Penck’s sculpture is less well known but expresses the same ideas as his drawings and paintings in terms of primitivism. His sculptures incorporate everyday
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Their work appeared in several West Berlin shows in the 1970s, moving on to major galleries and museums in Western Europe in the 1980s, most famously in the "New Art" show at London's Tate Gallery in 1983. In the 1980s, A.R. Penck was known for paintings featuring human forms drawn with neo-primitivist design, including pictographic elements, human figures and other forms that appear on totems.
« Every Standart can be imitated and reproduced and can thus become the property of every individual. »
A.R. Penck
His work continued to show up in many significant shows in New York City and London. A.R. Penck’s sculpture is less well known but expresses the same ideas as his drawings and paintings in terms of primitivism. His sculptures incorporate everyday materials such as cardboard, bottles, tin cans and wood, and they show crude assembly methods to evoke that primitive ambiance.
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