Details
Artist
Styles
// Moi, Planche 10 by Antonio Saura is a compelling serigraph from 1976, showcasing his signature abstract style. This limited-edition print, characterized by a monochromatic palette, uses bold black strokes and splatters on a textured gray background, evoking intense emotional depth. Saura’s abstract composition features free-flowing forms that intertwine and overlap, suggesting organic shapes or facial contours, an allusion to the artist's frequent exploration of the human psyche and identity. The stark contrast between dark, expressive lines and the muted background highlights Saura’s unique ability to convey motion and intensity within minimalistic forms. This piece, one of only 60 in existence with an additional 12 artist proofs, exemplifies Saura’s commitment to expressive abstraction.
Moi, Planche 10, 1976
form
Medium
Size
102 x 73.5 cm
- Inches
- Centimeters
Edition
Price
- USD
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- GBP
Details
Artist
Styles
// Moi, Planche 10 by Antonio Saura is a compelling serigraph from 1976, showcasing his signature abstract style. This limited-edition print, characterized by a monochromatic palette, uses bold black strokes and splatters on a textured gray background, evoking intense emotional depth. Saura’s abstract composition features free-flowing forms that intertwine and overlap, suggesting organic shapes or facial contours, an allusion to the artist's frequent exploration of the human psyche and identity. The stark contrast between dark, expressive lines and the muted background highlights Saura’s unique ability to convey motion and intensity within minimalistic forms. This piece, one of only 60 in existence with an additional 12 artist proofs, exemplifies Saura’s commitment to expressive abstraction.
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Antonio Saura
Serie Abierta (Vibrant Eyes And Abstract Shapes, 1989
Limited Edition Print
Lithograph
EUR 2,950
Antonio Saura
Doña Jerónima De La Fuente (Velázquez), 1991
Limited Edition Print
Lithograph
EUR 1,880
What is Art Nucleare?
Arte Nucleare was the name of an artist group founded in Milan in 1951. The group aimed to create art that responded to the dangers and technologies of the nuclear age. Their works often utilized automatic techniques and depicted devastated landscapes and mushroom clouds, reflecting the anxieties of a world on the brink of nuclear catastrophe.
