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Catalogue raisonné WCC.268.2. Lithograph and zincograph. Diada I by Antonio Saura is a 1977 lithograph and zincograph that reflects the artist’s recurring exploration of the crowd as a visual and psychological motif. The composition is densely filled with stylized faces and fragmented figures drawn in rapid black lines over muted grey tones. Each form appears distorted, with simplified shapes, expressive marks, and exaggerated features that create a sense of restless movement across the surface. Rather than depicting individual portraits, Saura presents a collective field of faces that merge into a complex visual pattern. The composition suggests themes of anonymity, tension, and shared human presence, which were central to Saura’s expressive graphic language. Measuring 59.5 × 88 cm, the print was produced in an edition of 125 and is listed in the catalogue raisonné under reference WCC.268.2.
Diada I, 1977
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59.5 x 88 cm
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Details
Artist
Styles
Catalogue raisonné WCC.268.2. Lithograph and zincograph. Diada I by Antonio Saura is a 1977 lithograph and zincograph that reflects the artist’s recurring exploration of the crowd as a visual and psychological motif. The composition is densely filled with stylized faces and fragmented figures drawn in rapid black lines over muted grey tones. Each form appears distorted, with simplified shapes, expressive marks, and exaggerated features that create a sense of restless movement across the surface. Rather than depicting individual portraits, Saura presents a collective field of faces that merge into a complex visual pattern. The composition suggests themes of anonymity, tension, and shared human presence, which were central to Saura’s expressive graphic language. Measuring 59.5 × 88 cm, the print was produced in an edition of 125 and is listed in the catalogue raisonné under reference WCC.268.2.
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What is Surrealism?
Surrealism began in the 1920s as an art and literary movement with the goal of revealing the unconscious mind and unleashing the imagination by exploring unusual and dream-like imagery. Influenced by Sigmund Freud’s theories of psychoanalysis, Surrealist artists and writers sought to bring the unconscious into rational life, blurring the lines between reality and dreams. The movement aimed to challenge conventional perceptions and express the irrational aspects of the human experience.
