
Details
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// Moi, Planche 15 by Antonio Saura is a striking serigraph from 1976, presenting a powerful example of Saura’s exploration of human identity through abstraction. In this piece, distorted facial elements are layered and fragmented against a dark, textured background, forming a haunting and expressive visage. The intense contrast between black, white, and gray highlights the piece's visceral emotion, with exaggerated eyes and mouth conveying a sense of anguish or disquiet. Saura’s technique of breaking down and reassembling facial forms reflects his fascination with the complexity of the human psyche, often bordering on the grotesque. This limited-edition work, one of only 60 with an additional 12 artist proofs, exemplifies Saura’s ability to evoke psychological intensity through fragmented portraiture.
15, Moi, Planche 15, 1976
form
Medium
Size
102 x 73.5 cm
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Price
Details
Artist
Styles
// Moi, Planche 15 by Antonio Saura is a striking serigraph from 1976, presenting a powerful example of Saura’s exploration of human identity through abstraction. In this piece, distorted facial elements are layered and fragmented against a dark, textured background, forming a haunting and expressive visage. The intense contrast between black, white, and gray highlights the piece's visceral emotion, with exaggerated eyes and mouth conveying a sense of anguish or disquiet. Saura’s technique of breaking down and reassembling facial forms reflects his fascination with the complexity of the human psyche, often bordering on the grotesque. This limited-edition work, one of only 60 with an additional 12 artist proofs, exemplifies Saura’s ability to evoke psychological intensity through fragmented portraiture.
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Antonio Saura
Serie Abierta (Vibrant Eyes And Abstract Shapes, 1989
Limited Edition Print
Lithograph
EUR 2,950
Antonio Saura
Doña Jerónima De La Fuente (Velázquez), 1991
Limited Edition Print
Lithograph
EUR 1,880
What is Art Informel?
Art Informel is a French term referring to the gestural and improvisational techniques common in abstract painting during the 1940s and 50s. It encompasses various styles that dominated these decades, characterized by informal, spontaneous methods. Artists used this term to describe approaches that moved away from traditional structures and embraced more expressive, unstructured techniques.