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Original drawing on paper. Signed by the artist. Authenticated by Pierre Vasarely - year: 50's // Drawing II by Victor Vasarely, created in the 1950s, is an original line drawing that highlights the artist's foundational exploration of geometric abstraction. Composed of intersecting and angular linear shapes, the drawing forms a vertical structure that resembles an abstracted, architectural silhouette. The minimalism of Vasarely’s line work, devoid of color or shading, emphasizes purity of form and the balance between positive and negative space. This piece hints at the artist’s later, more complex Op Art works, yet retains a raw simplicity that makes it intriguing. Signed by Vasarely and authenticated by Pierre Vasarely, this drawing on paper captures the essence of his early studies in geometry and spatial relationships, serving as a testament to his role as a pioneer in geometric abstraction.
Drawing II
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25 x 19 cm
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Details
Artist
Styles
Original drawing on paper. Signed by the artist. Authenticated by Pierre Vasarely - year: 50's // Drawing II by Victor Vasarely, created in the 1950s, is an original line drawing that highlights the artist's foundational exploration of geometric abstraction. Composed of intersecting and angular linear shapes, the drawing forms a vertical structure that resembles an abstracted, architectural silhouette. The minimalism of Vasarely’s line work, devoid of color or shading, emphasizes purity of form and the balance between positive and negative space. This piece hints at the artist’s later, more complex Op Art works, yet retains a raw simplicity that makes it intriguing. Signed by Vasarely and authenticated by Pierre Vasarely, this drawing on paper captures the essence of his early studies in geometry and spatial relationships, serving as a testament to his role as a pioneer in geometric abstraction.
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What is abstract art?
Abstract art uses form, shape, line, and color to create a visual experience without attempting to represent external reality. The composition exists independently of the world's visual references, focusing on expressing ideas and emotions through non-representational means.