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Aquatint, Spit bite and sugar lift on paper - Signed, Dated and Numbered // Sean Scully’s Red Fold is an aquatint that exemplifies his exploration of geometric abstraction through layered textures and earthy tones. The composition is divided into rectangular blocks of color—muted reds, oranges, blacks, and grays—arranged in a structured, grid-like pattern. The soft, blurred edges of the color fields suggest movement and depth, a hallmark of Scully’s technique that blends the rigidity of geometry with the fluidity of color application. Created using aquatint, spit bite, and sugar lift techniques, the print combines precision with a painterly quality. Signed, dated, and numbered, Red Fold reflects Scully’s interest in the tension between form and emotion, structure and spontaneity.
Red Fold, 2006
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Medium
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49.5 x 38 cm
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Details
Artist
Styles
Aquatint, Spit bite and sugar lift on paper - Signed, Dated and Numbered // Sean Scully’s Red Fold is an aquatint that exemplifies his exploration of geometric abstraction through layered textures and earthy tones. The composition is divided into rectangular blocks of color—muted reds, oranges, blacks, and grays—arranged in a structured, grid-like pattern. The soft, blurred edges of the color fields suggest movement and depth, a hallmark of Scully’s technique that blends the rigidity of geometry with the fluidity of color application. Created using aquatint, spit bite, and sugar lift techniques, the print combines precision with a painterly quality. Signed, dated, and numbered, Red Fold reflects Scully’s interest in the tension between form and emotion, structure and spontaneity.
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What is late modernism?
Late Modernism refers to the continuation and evolution of Modernist principles in art, architecture, and literature from the mid-20th century into the late 20th century. This movement maintains a focus on form, abstraction, and the rejection of traditional styles, but it often incorporates more complexity and ambiguity compared to early Modernism. Late Modernism explores themes such as alienation, identity, and the fragmentation of reality, reflecting the social and cultural shifts of the post-war period. It is seen in the works of architects like Louis Kahn and artists like Francis Bacon, who pushed the boundaries of Modernism while responding to the changing world around them.
