Sam Francis

Untitled, 1984

106.7 X 73 inch

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Cut ground red

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Color woodcut on handmade Okawara paper -Signed, titled, dated and numbered in pencil // Standing II by Sean Scully, a color woodcut created in 1986, reflects the artist’s signature style of structured abstraction. Composed of layered, textured blocks, the artwork uses rich earth tones and muted blacks, emphasizing the raw, tactile quality of the woodcut medium on handmade Okawara paper. Each horizontal section, marked by irregular lines and subtle color variations, evokes a sense of rugged stability and quiet intensity. Signed, titled, and dated by Scully, this limited edition print combines geometric simplicity with expressive depth, embodying the artist’s exploration of balance, space, and materiality.

Artwork Copyright © Sean Scully

Standing II, 1986

form

Medium

Edition

Color woodcut on handmade Okawara paper -Signed, titled, dated and numbered in pencil // Standing II by Sean Scully, a color woodcut created in 1986, reflects the artist’s signature style of structured abstraction. Composed of layered, textured blocks, the artwork uses rich earth tones and muted blacks, emphasizing the raw, tactile quality of the woodcut medium on handmade Okawara paper. Each horizontal section, marked by irregular lines and subtle color variations, evokes a sense of rugged stability and quiet intensity. Signed, titled, and dated by Scully, this limited edition print combines geometric simplicity with expressive depth, embodying the artist’s exploration of balance, space, and materiality.

Artwork Copyright © Sean Scully

Sean Scully

Red Fold, 2006

Limited Edition Print

Aquatint

USD 8,500

Sean Scully

Liliane 8, 2010

Limited Edition Print

Aquatint

EUR 8,400

Sean Scully

Liliane 5, 2010

Limited Edition Print

Aquatint

EUR 8,400

Sean Scully

Untitled (from Seven Mirrors), 1997

Limited Edition Print

Etching And Aquatint

Currently Not Available

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What is concrete art?

Concrete Art is an art movement founded by the Dutch artist Theo van Doesburg in the 1930s. The movement emphasizes pure abstraction, focusing on geometric shapes and colors without any reference to the natural world or symbolic meaning. Unlike other forms of abstract art, Concrete Art is entirely non-representational and is based on mathematical principles and precise execution. It aims to create universal, timeless works by using simple, clear forms that emphasize objectivity and clarity.

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