Color woodcut on handmade Okawara paper
-Signed, titled, dated and numbered in pencil
Standing II by Sean Scully, a color woodcut created in 1986, reflects the artist’s signature style of structured abstraction. Composed of layered, textured blocks, the artwork uses rich earth tones and muted blacks, emphasizing the raw, tactile quality of the woodcut medium on handmade Okawara paper. Each horizontal section, marked by irregular lines and subtle color variations, evokes a sense of rugged stability and quiet intensity. Signed, titled, and dated by Scully, this limited edition print combines geometric simplicity with expressive depth, embodying the artist’s exploration of balance, space, and materiality.
Sean Scully (Ireland, 1945) is a contemporary artist renowned for his abstract paintings characterized by bold stripes and geometric forms. His work bridges Minimalism and Emotional Abstraction, emphasizing color and texture. Scully's art is featured in major institutions like MoMA and Tate Modern, reflecting his significant influence on modern abstraction.
WoodcutWoodcut is a printing technique where an image is carved into the surface of a woodblock using gouges, with the remaining flat surface holding the ink for printing. The areas cut away by the artist do not carry ink, while the uncut areas do, producing the desired print. The carving follows the wood's grain, unlike wood engraving, where the block is cut across the end-grain. Ink is applied to the surface with a roller, ensuring only the flat, uncarved areas receive ink, leaving the recessed, non-printing areas clean.
Color woodcut on handmade Okawara paper
-Signed, titled, dated and numbered in pencil
Standing II by Sean Scully, a color woodcut created in 1986, reflects the artist’s signature style of structured abstraction. Composed of layered, textured blocks, the artwork uses rich earth tones and muted blacks, emphasizing the raw, tactile quality of the woodcut medium on handmade Okawara paper. Each horizontal section, marked by irregular lines and subtle color variations, evokes a sense of rugged stability and quiet intensity. Signed, titled, and dated by Scully, this limited edition print combines geometric simplicity with expressive depth, embodying the artist’s exploration of balance, space, and materiality.
Sean Scully (Ireland, 1945) is a contemporary artist renowned for his abstract paintings characterized by bold stripes and geometric forms. His work bridges Minimalism and Emotional Abstraction, emphasizing color and texture. Scully's art is featured in major institutions like MoMA and Tate Modern, reflecting his significant influence on modern abstraction.
When I got into art school, I thought it was paradise.
- Sean Scully
Widely acclaimed for his abstract oil paintings, Sean Scully is an artist whose works often combine geometric structures with contrasting soft edges and thick uneven surfaces to form alternating panels of coloured squares or stripes – such works as Green Ascending and Rouge perfectly exemplify his trademark style of painting. Although his abstract works appear to have no specific reference, Scully’s previous employment as a typesetter had a great bearing on his later artistic outputs, and of his Land Sea exhibition, Scully noted that his experience of visiting Venice was a major influence as he sought to recreate ‘the movement of the water, how it heaves against the brick and stone of the city’; the artist also noted that his earliest memory of art is of a series of devotional paintings on show at a local Catholic church where he grew up, commenting that they were ‘very geometric, like Russian paintings.’ (Artist website)
Geometric abstraction is a form of abstract art that uses geometric shapes arranged in a non-illusionistic space (though not always) and combined into non-representational (non-objective) compositions. Based on years of artistic research, some artists have proposed that geometric abstraction offers a solution to modern challenges by rejecting traditional illusionistic practices in favor of clarity and simplicity.