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Color screenprint on translucent Rowlux - Literature: CORLETT 36 - Signed and numbered in black in verso - From New York Ten portfolio - Published by Tanglewood Press, Inc., New York // Roy Lichtenstein's Seascape (I) (1964) is a color screenprint that embodies his iconic Pop Art style, using industrial materials and minimalistic forms. Printed on translucent Rowlux, a material known for its shimmering, light-reflective qualities, this work simulates the movement and texture of water with an undulating field of white and blue dots. The dotted pattern recalls Lichtenstein’s signature use of Ben-Day dots, a technique he popularized to evoke the aesthetics of mass production and comic strips. The composition is divided into two sections, with the upper portion featuring a textured white field and the lower part a blue strip bordered by cream-colored dots, creating a horizon-like effect. Part of the New York Ten portfolio and published by Tanglewood Press, this piece is from an edition of 200 and is signed and numbered on the verso. Seascape (I) captures the essence of Lichtenstein’s exploration of illusion, materiality, and his reinterpretation of traditional landscapes in a modern, industrial style.
Seascape (I), 1964
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43.2 x 55.9 cm
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Details
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Color screenprint on translucent Rowlux - Literature: CORLETT 36 - Signed and numbered in black in verso - From New York Ten portfolio - Published by Tanglewood Press, Inc., New York // Roy Lichtenstein's Seascape (I) (1964) is a color screenprint that embodies his iconic Pop Art style, using industrial materials and minimalistic forms. Printed on translucent Rowlux, a material known for its shimmering, light-reflective qualities, this work simulates the movement and texture of water with an undulating field of white and blue dots. The dotted pattern recalls Lichtenstein’s signature use of Ben-Day dots, a technique he popularized to evoke the aesthetics of mass production and comic strips. The composition is divided into two sections, with the upper portion featuring a textured white field and the lower part a blue strip bordered by cream-colored dots, creating a horizon-like effect. Part of the New York Ten portfolio and published by Tanglewood Press, this piece is from an edition of 200 and is signed and numbered on the verso. Seascape (I) captures the essence of Lichtenstein’s exploration of illusion, materiality, and his reinterpretation of traditional landscapes in a modern, industrial style.
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What is site specific art?
Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.