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Color screenprint on translucent Rowlux - Literature: CORLETT 36 - Signed and numbered in black in verso - From New York Ten portfolio - Published by Tanglewood Press, Inc., New York // Roy Lichtenstein's Seascape (I) (1964) is a color screenprint that embodies his iconic Pop Art style, using industrial materials and minimalistic forms. Printed on translucent Rowlux, a material known for its shimmering, light-reflective qualities, this work simulates the movement and texture of water with an undulating field of white and blue dots. The dotted pattern recalls Lichtenstein’s signature use of Ben-Day dots, a technique he popularized to evoke the aesthetics of mass production and comic strips. The composition is divided into two sections, with the upper portion featuring a textured white field and the lower part a blue strip bordered by cream-colored dots, creating a horizon-like effect. Part of the New York Ten portfolio and published by Tanglewood Press, this piece is from an edition of 200 and is signed and numbered on the verso. Seascape (I) captures the essence of Lichtenstein’s exploration of illusion, materiality, and his reinterpretation of traditional landscapes in a modern, industrial style.
Seascape (I), 1964
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43.2 x 55.9 cm
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Color screenprint on translucent Rowlux - Literature: CORLETT 36 - Signed and numbered in black in verso - From New York Ten portfolio - Published by Tanglewood Press, Inc., New York // Roy Lichtenstein's Seascape (I) (1964) is a color screenprint that embodies his iconic Pop Art style, using industrial materials and minimalistic forms. Printed on translucent Rowlux, a material known for its shimmering, light-reflective qualities, this work simulates the movement and texture of water with an undulating field of white and blue dots. The dotted pattern recalls Lichtenstein’s signature use of Ben-Day dots, a technique he popularized to evoke the aesthetics of mass production and comic strips. The composition is divided into two sections, with the upper portion featuring a textured white field and the lower part a blue strip bordered by cream-colored dots, creating a horizon-like effect. Part of the New York Ten portfolio and published by Tanglewood Press, this piece is from an edition of 200 and is signed and numbered on the verso. Seascape (I) captures the essence of Lichtenstein’s exploration of illusion, materiality, and his reinterpretation of traditional landscapes in a modern, industrial style.
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Roy Lichtenstein
Interior With Chair From The Leo Castelli 90th Birthday Portfolio, 1997
Limited Edition Print
Screen-print
USD 30,000 - 40,000
Roy Lichtenstein
Inaugural Print From The Inaugural Impressions Portfolio, 1977
Limited Edition Print
Screen-print
USD 25,000 - 35,000
Roy Lichtenstein
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Limited Edition Print
Lithograph
USD 20,000 - 30,000
Roy Lichtenstein
Two Paintings, From The Paintings Series, 1984
Limited Edition Print
Mixed Media
USD 50,000 - 60,000
Roy Lichtenstein
Illustration For 'Une Fenêtre Ouverte Sur Chicago' (Corlett 271), 1992
Limited Edition Print
Etching And Aquatint
USD 13,250
Roy Lichtenstein
Industry And The Arts (II), 1969
Limited Edition Print
Screen-print
GBP 30,000 - 40,000
Roy Lichtenstein
Illustration For 'De Denver Au Montana, Depart 27 Mai 1972' (I), 1992
Limited Edition Print
Etching And Aquatint
USD 12,500
Roy Lichtenstein
Reflections On Minerva, 1990
Limited Edition Print
Mixed Media
USD 80,000 - 100,000
Roy Lichtenstein
Pistol (from Banner, Multiples Calendar, 1968
Limited Edition Print
Screen-print
USD 4,600
Roy Lichtenstein
De Denver Au Montana, Départ 27 Mai 1972 (II), 1991
Limited Edition Print
Etching And Aquatint
USD 12,500
Roy Lichtenstein
Liberté, From Mémoire De La Liberté, 1991
Limited Edition Print
Serigraph
EUR 19,750
Roy Lichtenstein
Sweet Dreams, Baby!, 1965
Limited Edition Print
Screen-print
Currently Not Available
What is site specific art?
Site-Specific Art is a form of artwork created to exist in a particular location, with the artist considering the site as an integral part of the creative process. Robert Irwin was a key figure in promoting this art form in California. Site-Specific Art emerged as a reaction against modernist objects, which were often portable, commodified, and confined to museum spaces. In contrast, Site-Specific Art is inherently tied to its location, challenging the traditional notions of art as a transportable and marketable commodity.
