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Original serigraph on Rives BFK paper - Published by Leo Castelli Gallery New York - In Excellent Condition - Hand signed Dated and Numbered by Lichtenstein // Roy Lichtenstein's The Solomon R. Guggenheim Museum (1969) is a vibrant and dynamic serigraph that captures the essence of his pop art style, blending architecture and classical imagery. This circular composition features a fusion of architectural elements, such as columns and arches, alongside a stylized profile reminiscent of ancient sculptures, all rendered in Lichtenstein’s signature Ben-Day dots and bold outlines. The artwork is divided into distinct sections with a palette of primary colors—red, yellow, and black—creating a sense of movement and balance. The use of geometric patterns and comic book-like aesthetics evokes both the classical and modernist influences, paying homage to the iconic museum and its architectural significance. Published by the Leo Castelli Gallery and printed on Rives BFK paper, the piece is hand-signed, dated, and numbered by Lichtenstein, highlighting its value as a collectible. This work exemplifies Lichtenstein’s ability to transform cultural references into striking visual statements.
The Solomon R. Guggenheim Museum, 1969
form
Medium
Size
72.4 x 72.4 cm
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Price
Details
Artist
Styles
Original serigraph on Rives BFK paper - Published by Leo Castelli Gallery New York - In Excellent Condition - Hand signed Dated and Numbered by Lichtenstein // Roy Lichtenstein's The Solomon R. Guggenheim Museum (1969) is a vibrant and dynamic serigraph that captures the essence of his pop art style, blending architecture and classical imagery. This circular composition features a fusion of architectural elements, such as columns and arches, alongside a stylized profile reminiscent of ancient sculptures, all rendered in Lichtenstein’s signature Ben-Day dots and bold outlines. The artwork is divided into distinct sections with a palette of primary colors—red, yellow, and black—creating a sense of movement and balance. The use of geometric patterns and comic book-like aesthetics evokes both the classical and modernist influences, paying homage to the iconic museum and its architectural significance. Published by the Leo Castelli Gallery and printed on Rives BFK paper, the piece is hand-signed, dated, and numbered by Lichtenstein, highlighting its value as a collectible. This work exemplifies Lichtenstein’s ability to transform cultural references into striking visual statements.
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Limited Edition Print
Screen-print
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Limited Edition Print
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Limited Edition Print
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Limited Edition Print
Etching And Aquatint
USD 12,500
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Limited Edition Print
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Limited Edition Print
Screen-print
USD 60,000 - 70,000
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Limited Edition Print
Mixed Media
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Limited Edition Print
Woodcut
USD 20,000 - 30,000
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Limited Edition Print
Woodcut
USD 14,850
Roy Lichtenstein
Pistol (from Banner, Multiples Calendar, 1968
Limited Edition Print
Screen-print
USD 4,600
Roy Lichtenstein
Reflections On Minerva, 1990
Limited Edition Print
Mixed Media
USD 80,000 - 100,000
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Sweet Dreams, Baby!, 1965
Limited Edition Print
Screen-print
Currently Not Available
Roy Lichtenstein
The Solomon R. Guggenheim Museum, 1969
Limited Edition Print
Serigraph
Currently Not Available
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Limited Edition Print
Lithograph
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What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.