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Screenprint, lithograph, and collage with embossing on Rives BFK paper - Hand-signed by artist - Blind stamp, lower right: (Tyler Graphics Ltd). Workshop number on verso - Published by Tyler Graphics Ltd., Bedford Village, New York // Roy Lichtenstein’s Entablature II (139) (1976) is an impressive piece from his Entablature series, blending screen printing, lithography, collage, and embossing to reinterpret classical architectural elements through the lens of pop art. The work features a horizontal composition of ornamental patterns, with intricate swirling designs that evoke classical scrollwork in the central band. Above, a decorative Greek key motif in black and gold adds a geometric contrast to the organic shapes below. The lower portion of the piece is embossed with a ribbed design, adding depth and texture to the smooth background in warm orange and beige tones. A yellow and black striped band between the sections adds a modern graphic touch to the composition. The use of embossing and bold colors, along with the architectural references, highlights Lichtenstein's ability to merge traditional forms with contemporary techniques, creating a sophisticated yet accessible visual experience.
Entablature II (139), 1976
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74.1 x 114 cm
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Details
Artist
Styles
Screenprint, lithograph, and collage with embossing on Rives BFK paper - Hand-signed by artist - Blind stamp, lower right: (Tyler Graphics Ltd). Workshop number on verso - Published by Tyler Graphics Ltd., Bedford Village, New York // Roy Lichtenstein’s Entablature II (139) (1976) is an impressive piece from his Entablature series, blending screen printing, lithography, collage, and embossing to reinterpret classical architectural elements through the lens of pop art. The work features a horizontal composition of ornamental patterns, with intricate swirling designs that evoke classical scrollwork in the central band. Above, a decorative Greek key motif in black and gold adds a geometric contrast to the organic shapes below. The lower portion of the piece is embossed with a ribbed design, adding depth and texture to the smooth background in warm orange and beige tones. A yellow and black striped band between the sections adds a modern graphic touch to the composition. The use of embossing and bold colors, along with the architectural references, highlights Lichtenstein's ability to merge traditional forms with contemporary techniques, creating a sophisticated yet accessible visual experience.
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What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.
