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Screenprint in colors on Lanaquarelle watercolor paper. Composition II (1996) by Roy Lichtenstein is a vivid screenprint that transforms musical notation into a bold, dynamic visual language. Rendered in his signature Pop Art style, the piece features swirling staves of sheet music interwoven with musical notes that appear to dance across the surface. The curving lines and intersecting forms create a sense of rhythm and movement, mirroring the flow of a musical composition. Lichtenstein incorporates hallmark elements such as Ben-Day dots, flat planes of primary color, and thick black outlines, blending abstraction with recognizable motifs. The work blurs the boundary between visual and auditory art, turning music into an image while retaining its expressive energy. Executed on Lanaquarelle watercolor paper in a limited edition of 50, this screenprint exemplifies Lichtenstein’s playful yet precise approach to visual structure and cultural symbols.
Composition II, 1996
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90.2 x 113.8 cm
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Details
Artist
Styles
Screenprint in colors on Lanaquarelle watercolor paper. Composition II (1996) by Roy Lichtenstein is a vivid screenprint that transforms musical notation into a bold, dynamic visual language. Rendered in his signature Pop Art style, the piece features swirling staves of sheet music interwoven with musical notes that appear to dance across the surface. The curving lines and intersecting forms create a sense of rhythm and movement, mirroring the flow of a musical composition. Lichtenstein incorporates hallmark elements such as Ben-Day dots, flat planes of primary color, and thick black outlines, blending abstraction with recognizable motifs. The work blurs the boundary between visual and auditory art, turning music into an image while retaining its expressive energy. Executed on Lanaquarelle watercolor paper in a limited edition of 50, this screenprint exemplifies Lichtenstein’s playful yet precise approach to visual structure and cultural symbols.
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Currently Not Available
What is pop-art?
Pop Art is an art movement that began in Britain in 1955 and in the late 1950s in the U.S. It challenged traditional fine arts by incorporating imagery from popular culture, such as news, advertising, and comic books. Pop Art often isolates and recontextualizes materials, combining them with unrelated elements. The movement is more about the attitudes and ideas that inspired it than the specific art itself. Pop Art is seen as a reaction against the dominant ideas of Abstract Expressionism, bringing everyday consumer culture into the realm of fine art.