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Screenprint in colors on Lanaquarelle watercolor paper. Composition II (1996) by Roy Lichtenstein is a vivid screenprint that transforms musical notation into a bold, dynamic visual language. Rendered in his signature Pop Art style, the piece features swirling staves of sheet music interwoven with musical notes that appear to dance across the surface. The curving lines and intersecting forms create a sense of rhythm and movement, mirroring the flow of a musical composition. Lichtenstein incorporates hallmark elements such as Ben-Day dots, flat planes of primary color, and thick black outlines, blending abstraction with recognizable motifs. The work blurs the boundary between visual and auditory art, turning music into an image while retaining its expressive energy. Executed on Lanaquarelle watercolor paper in a limited edition of 50, this screenprint exemplifies Lichtenstein’s playful yet precise approach to visual structure and cultural symbols.
Composition II, 1996
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90.2 x 113.8 cm
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Details
Artist
Styles
Screenprint in colors on Lanaquarelle watercolor paper. Composition II (1996) by Roy Lichtenstein is a vivid screenprint that transforms musical notation into a bold, dynamic visual language. Rendered in his signature Pop Art style, the piece features swirling staves of sheet music interwoven with musical notes that appear to dance across the surface. The curving lines and intersecting forms create a sense of rhythm and movement, mirroring the flow of a musical composition. Lichtenstein incorporates hallmark elements such as Ben-Day dots, flat planes of primary color, and thick black outlines, blending abstraction with recognizable motifs. The work blurs the boundary between visual and auditory art, turning music into an image while retaining its expressive energy. Executed on Lanaquarelle watercolor paper in a limited edition of 50, this screenprint exemplifies Lichtenstein’s playful yet precise approach to visual structure and cultural symbols.
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Currently Not Available
What is appropriation?
Appropriation in art involves using pre-existing images or objects with little or no modification. This technique has played a significant role across various art forms, including visual arts, music, performance, and literature. In visual arts, appropriation refers to the practice of adopting, sampling, recycling, or borrowing elements—or even entire forms—of existing visual culture, integrating them into new works to create meaning or critique.