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Mounted on canvas. Eau-forte in colour on Taiwanese rice paper. Published on a full page in the book: "alechinsky, travaux d'impression" Pierre Alechinsky’s Vol Augural (1990) is a large-scale etching that exemplifies his dynamic fusion of abstraction, calligraphy, and expressive color. The composition is dominated by intricate black ink lines that form a swirling, textured upper section, punctuated by splashes of blue. In contrast, the lower half presents two striking red forms, suggestive of birds or symbols of movement, set against a background of structured, yellow and green geometric shapes. The border, composed of irregular golden lines, frames the composition with an almost manuscript-like quality. Printed on Taiwanese rice paper and mounted on canvas, this piece belongs to an edition of 99, plus artist and hors commerce proofs. Alechinsky’s work, deeply rooted in the Cobra movement, reflects an energetic and freeform approach to printmaking, bridging spontaneous gesture with a sophisticated sense of structure.
Vol Augural, 1990
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Medium
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185 x 188 cm
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Details
Artist
Styles
Mounted on canvas. Eau-forte in colour on Taiwanese rice paper. Published on a full page in the book: "alechinsky, travaux d'impression" Pierre Alechinsky’s Vol Augural (1990) is a large-scale etching that exemplifies his dynamic fusion of abstraction, calligraphy, and expressive color. The composition is dominated by intricate black ink lines that form a swirling, textured upper section, punctuated by splashes of blue. In contrast, the lower half presents two striking red forms, suggestive of birds or symbols of movement, set against a background of structured, yellow and green geometric shapes. The border, composed of irregular golden lines, frames the composition with an almost manuscript-like quality. Printed on Taiwanese rice paper and mounted on canvas, this piece belongs to an edition of 99, plus artist and hors commerce proofs. Alechinsky’s work, deeply rooted in the Cobra movement, reflects an energetic and freeform approach to printmaking, bridging spontaneous gesture with a sophisticated sense of structure.
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What is the CoBrA movement?
CoBrA stands for Copenhagen, Brussels, and Amsterdam; the group was formed with a desire to break away from the existing art movements of the time. Their critique of Western society led them to experiment and evolve into a significant international movement. CoBrA was founded on November 8, 1948, at the Notre Dame Café in Paris, where its manifesto was signed by Karel Appel, Joseph Noiret, Corneille, Christian Dotremont, Constant, and Asger Jorn. The group was united by a shared commitment to freedom in both form and color, and their work emphasized experimentation and spontaneity.
