
Lithograph and collage with glimmer on paper.
Signed in pencil in the lower left, numbered in pencil in the lower right.
'L'ange protecteur' by Niki de Saint Phalle is a collage from 1997 combining screenprinted colour with iridescent and glitter-effect collage elements. A bold cobalt-blue figure — voluminous and airborne, with one leg kicked forward — spreads two large wings patterned with pools of yellow, orange, green, purple and red against a gold-flecked ground. The torso is sectioned into flat planes of colour: yellow, red and green stripes flanked by holographic medallions, with a flower at the chest and a heart at the shoulder. A shooting star and a ringed planet float in the off-white surrounding field, hand-lettered in the artist's script with the title in red. De Saint Phalle built her practice around exuberant, curvaceous female forms as symbols of power and protection — the guardian figure here is a direct expression of that recurring archetype, translated into the flat, graphic language she applied consistently across her print and collage output.
L'ange protecteur, 1997
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Lithograph and collage with glimmer on paper.
Signed in pencil in the lower left, numbered in pencil in the lower right.
'L'ange protecteur' by Niki de Saint Phalle is a collage from 1997 combining screenprinted colour with iridescent and glitter-effect collage elements. A bold cobalt-blue figure — voluminous and airborne, with one leg kicked forward — spreads two large wings patterned with pools of yellow, orange, green, purple and red against a gold-flecked ground. The torso is sectioned into flat planes of colour: yellow, red and green stripes flanked by holographic medallions, with a flower at the chest and a heart at the shoulder. A shooting star and a ringed planet float in the off-white surrounding field, hand-lettered in the artist's script with the title in red. De Saint Phalle built her practice around exuberant, curvaceous female forms as symbols of power and protection — the guardian figure here is a direct expression of that recurring archetype, translated into the flat, graphic language she applied consistently across her print and collage output.
What is Nouveau Realism?
Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.

Niki De Saint Phalle
L'ange protecteur, 1997
61 x 43 cm















