Details
Artist
Styles
Printed on Arches // La caissière by Niki de Saint Phalle is a vibrant limited edition lithograph created in 1995. Printed on Arches paper, the artwork features a playful and colorful scene, showcasing a figure seated behind a counter with an abstract cash register. The cashier, adorned in a patterned outfit, is depicted in a whimsical, cartoon-like style, reflecting Saint Phalle’s joyful, expressive approach. Surrounding the central figure are decorative snakes and a small creature, adding an element of surrealism and fantasy. The bright, geometric background and bold lines contribute to a dynamic, joyful composition that celebrates Saint Phalle's distinctive, lively aesthetic.
La caissière, 1995
form
Medium
Size
76 x 56 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Printed on Arches // La caissière by Niki de Saint Phalle is a vibrant limited edition lithograph created in 1995. Printed on Arches paper, the artwork features a playful and colorful scene, showcasing a figure seated behind a counter with an abstract cash register. The cashier, adorned in a patterned outfit, is depicted in a whimsical, cartoon-like style, reflecting Saint Phalle’s joyful, expressive approach. Surrounding the central figure are decorative snakes and a small creature, adding an element of surrealism and fantasy. The bright, geometric background and bold lines contribute to a dynamic, joyful composition that celebrates Saint Phalle's distinctive, lively aesthetic.
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Nouveau Réalisme is an artistic movement founded in 1960 by art critic Pierre Restany and painter Yves Klein during a collective exhibition at a gallery in Milan. Restany wrote the original manifesto in April 1960, proclaiming the movement. In October of that year, nine artists, including Martial Raysse, Yves Klein, Daniel Spoerri, Jean Tinguely, Arman, Pierre Restany, and three Ultra-Lettrists—Jacques de la Villeglé, François Dufrêne, and Raymond Hains—signed the declaration. In 1961, the movement expanded to include Mimmo Rotella, Niki de Saint Phalle, Gérard Deschamps, and César. The movement emphasized a return to reality in art, often incorporating everyday objects and exploring the boundaries between art and life.
