Details
Artist
Styles
Stamped on verso by the Keith Haring Estate and bears the signature of Julia Gruen, executor of the Estate. Keith Haring’s Untitled (w/ Sean Kalish) #4 (1989) is an etching that reflects the artist’s late-career exploration of collaborative and spontaneous imagery. Created in the year of his death, the print combines Haring’s signature bold, linear style with playful, childlike figures. Simplified characters, animals, and animated forms balance atop elongated columns, forming a rhythmic horizontal composition within a small central plate. The spare black lines against a light ground emphasize clarity and immediacy, hallmarks of Haring’s graphic language rooted in street art. This impression, marked HC 3/5, comes from an edition of 33 plus 5 hors commerce examples and is stamped on the verso by the Keith Haring Estate, bearing the signature of Julia Gruen, executor of the Estate.
Untitled (w/ Sean Kalish) #4, 1989
form
Medium
Size
35.6 x 31.8 cm
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- Centimeters
Edition
Price
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Details
Artist
Styles
Stamped on verso by the Keith Haring Estate and bears the signature of Julia Gruen, executor of the Estate. Keith Haring’s Untitled (w/ Sean Kalish) #4 (1989) is an etching that reflects the artist’s late-career exploration of collaborative and spontaneous imagery. Created in the year of his death, the print combines Haring’s signature bold, linear style with playful, childlike figures. Simplified characters, animals, and animated forms balance atop elongated columns, forming a rhythmic horizontal composition within a small central plate. The spare black lines against a light ground emphasize clarity and immediacy, hallmarks of Haring’s graphic language rooted in street art. This impression, marked HC 3/5, comes from an edition of 33 plus 5 hors commerce examples and is stamped on the verso by the Keith Haring Estate, bearing the signature of Julia Gruen, executor of the Estate.
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Inquire For Price
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Limited Edition Print
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What is Comic Strip Art?
Comic strip art refers to artwork that utilizes the subject matter and commercial printing techniques found in comic strips. In the 1960s, a group of artists began creating paintings that incorporated Ben-Day dots—commonly used in comics and advertising—to produce highly graphic designs in bright colors, using traditional art media.
