
Details
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Offset-lithograph on heavy glazed paper. Signed on the edge in felt pen. Literature: Blindermn, Barry, William S. Burroughs, et.al.. Keith Haring: Future Primeval. 1990, Normal, UniversityGalleries, Illinois State University with Abbeville Press, New York, p.98, illustration of the sumi ink study for the poster. Sussman, Elisabeth, Jeffrey Deitch, David Frankel,Robert Pincus-Witten, et.al. Keith Haring. 1997, New York,Whitney Museum of American Art, p.138, illustrated (an unsigned example) Deitch, Jeffrey, Suzanne Geiss and Julia Gruen. Keith Haring. 2008, New York, Rizzoli, pp.228 – 231, illustrated p.230 (an unsigned example.) Poster for Nuclear Disarmament (1982) by Keith Haring is an offset-lithograph that encapsulates the artist’s iconic visual language and political urgency. Created at the height of the Cold War, the work is divided into two distinct panels: the upper shows a radiant baby emerging from a cloud, flanked by angelic figures, while the lower panel features a black cross within a radiant eye, surrounded by figures holding pillars of power and an atomic symbol. The composition vibrates with Haring’s trademark bold lines and energetic forms, expressing both hope and critique. The piece is signed along the right edge in felt pen.
Poster for Nuclear Disarmament, 1982
form
Medium
Size
61.3 x 45.7 cm
- Inches
- Centimeters
Edition
Price
Details
Artist
Styles
Offset-lithograph on heavy glazed paper. Signed on the edge in felt pen. Literature: Blindermn, Barry, William S. Burroughs, et.al.. Keith Haring: Future Primeval. 1990, Normal, UniversityGalleries, Illinois State University with Abbeville Press, New York, p.98, illustration of the sumi ink study for the poster. Sussman, Elisabeth, Jeffrey Deitch, David Frankel,Robert Pincus-Witten, et.al. Keith Haring. 1997, New York,Whitney Museum of American Art, p.138, illustrated (an unsigned example) Deitch, Jeffrey, Suzanne Geiss and Julia Gruen. Keith Haring. 2008, New York, Rizzoli, pp.228 – 231, illustrated p.230 (an unsigned example.) Poster for Nuclear Disarmament (1982) by Keith Haring is an offset-lithograph that encapsulates the artist’s iconic visual language and political urgency. Created at the height of the Cold War, the work is divided into two distinct panels: the upper shows a radiant baby emerging from a cloud, flanked by angelic figures, while the lower panel features a black cross within a radiant eye, surrounded by figures holding pillars of power and an atomic symbol. The composition vibrates with Haring’s trademark bold lines and energetic forms, expressing both hope and critique. The piece is signed along the right edge in felt pen.
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Keith Haring
Untitled (Plate 16) From The Blueprint Drawings, 1990
Limited Edition Print
Screen-print
USD 35,000 - 45,000
Keith Haring
Untitled (Plate 17) From The Blueprint Drawings, 1990
Limited Edition Print
Screen-print
USD 35,000 - 45,000
Keith Haring
Three Lithographs: One Plate, 1985
Limited Edition Print
Lithograph
USD 30,000 - 40,000
Keith Haring
Poster For Nuclear Disarmament, 1982
Limited Edition Print
Offset Print
Inquire For Price
Keith Haring
Untitled (w/ Sean Kalish) - Set, 1989
Limited Edition Print
Etching
USD 35,000 - 45,000
Keith Haring
New Year's Invitation '88 (Nude) (TP), 1988
Limited Edition Print
Screen-print
USD 8,500
Keith Haring
White Icons (C) - Winged Angel, 1990
Limited Edition Print
Embossing
USD 15,000 - 20,000
Keith Haring
Plate 7 (from The Story Of Red + Blue), 1989
Limited Edition Print
Screen-print
Inquire For Price
Keith Haring
Untitled 1 (from Free South Africa), 1985
Limited Edition Print
Lithograph
Inquire For Price
Keith Haring
Untitled (Free South Africa), 1985
Limited Edition Print
Lithograph
USD 90,000 - 100,000
Keith Haring
White Icons (A) - Radiant Baby, 1990
Limited Edition Print
Embossing
USD 20,000 - 25,000
Keith Haring
Poster For Nuclear Disarmament, 1982
Limited Edition Print
Offset Print
USD 11,000 - 13,000
Keith Haring
Untitled - Scissors (from Pop Shop III), 1989
Limited Edition Print
Screen-print
Currently Not Available
What is figurative art?
Sometimes known as Figurativism, figurative art refers to sculptures and paintings that are clearly or specifically derived from real objects, making them representational. The term figurative art is often used in contrast to abstract art. However, since the emergence of abstract art, figurative art has come to describe any form of modern art that has strong references to the real world or actual situations.